a play
by Steven Dawson

The
original cast from the Stables Theatre production 1991.
Amateurs and Professionals are hereby warned that the performance of this play is subject to royalties and no public performance of this play or excerpts may be given in any form, including radio, film, television or stage without the written permission of the author and/or his agents and only upon application.
This
play is sold subject to the condition that it shall not, by way of trade
or otherwise, be lent, resold, hired out or otherwise circulated without
the author or his agent's prior consent in any form of binding or cover
other than that in which it is published and without similar condition
including this condition being imposed on the subsequent purchaser.
Any application for performance must be made to:
RICK
RAFTOS MANAGEMENT PTY LTD
P.O.
Box 445, Paddington
NSW,
Australia, 2021
Telephone
61 2 9281 9622
Fax
61 2 9212 7100
raftos@raftos.com.au
Copyright © Steven Dawson 1991.
THE ART OF BEING STILL
a play
by steven dawson
[Left
to right] David Brown, Peter Bodnar, Jamie Oxenbould and Geoffrey Harford
in
the
original Stables Theatre production 1991.
Characters
Alan
Phillip
Gerald
Dougie
Barry
Danny
Colin/Michael
First
Performance
August
7, 1991
Stables
Theatre
Sydney,
Australia
Cast
As Follows
| Alan | Adam Stone |
| Colin/Michael | John Price |
| Phillip | David Brown |
| Gerald | Geoffrey Harford |
| Dougie | Peter Bodnar |
| Barry | Robert Shea |
| Danny | Jamie Oxenbould |
| Directed by | Stuart Chalmers |
| Set & Costume Designer | Terry Ryan |
| Lighting Designer | Shane Stephens |
| Stage Manager | Kaarin Dombrowski |
Adam Stone, Geoffrey Harford
& David Brown in the original Sydney production 1991.


Nicholas Opolski, Fred Whitlock, Ian Murton, Phillip Parslowe, Peter Bodnar, Michael Fry, Fred Whitlock, James Benedict in the Melbourne production 1992.
From the Silly Twisted Boys production
Midsumma 1998.
PROLOGUE
THERE IS THE SOUND OF WAVES IN THE BACKGROUND. A SMALL SPOTLIGHT COMES UP ON ALAN.
ALAN
[CALLING
OUT] Michael!
ANOTHER SMALL SPOTLIGHT COMES UP ON MICHAEL. HE IS WEARING A PAIR OF SPEEDOS AND HE IS SOAKING WET FROM JUST HAVING A SWIM. THEY DO NOT FACE EACH OTHER. HE YELLS LOUDER.
Michael!
MICHAEL
What!
ALAN
Don't
you dare scream at me.
MICHAEL
Well,
what do you want?
ALAN
We
have to go.
MICHAEL
One
last dip.
ALAN
No,
we'll be late. It's gonna take us an hour to get home as it is and we have
to be at Barry and Danny's by eight.
MICHAEL
I
don't care. Come on....come and have a swim with me. You've hardly been
in the water.
ALAN
No
thank you. I'm always afraid if I go near the water some conservationist
will push me back in saying "Keep her wet, keep her wet".
MICHAEL
Just
come in for a moment.
ALAN
No.
Did you know there were men, humping away behind those rocks over there?
MICHAEL
Really?
That's disgusting. [BEAT] Where?
ALAN
Just
over past those rocks....and never you mind.
MICHAEL
Maybe
we picked the wrong place. Let's move over near the rocks.
ALAN
No....come
on. Get dressed.
MICHAEL
Ow!
ALAN
What's
the matter?
MICHAEL
A
stitch, I think.
ALAN
Are
you alright now?
MICHAEL
Yeah....Look
at this. [HE POSES] Doesn't this body drive you wild?
ALAN
It
drives me to drink. Don't be such a show-off. If you're gonna have a swim
then hurry up or I'm going without you.
MICHAEL
If
you're nice to me I'll let you bury me in the sand.
ALAN
Only
if it's face down.
MICHAEL
Come
for a swim.
ALAN
I
don't want to. I sink, remember.
MICHAEL
I'll
take care of you.
ALAN
Yeah,
that's what I'm afraid of but I ain't playing Harold Holt for you. The
last thing I need is to be washed up on some foreign beach with seaweed
in my shorts, thanks very much.
MICHAEL
I
won't let anything happen to you. I'll hold on to you.
ALAN
Yeah?
MICHAEL
Always.
Come on in.
MICHAEL RUNS OFF
ALAN
Alright.
But don't go out too far, Michael. Oh, wait for me, you mongrel, wait for
me!
THE
SOUND OF THE SURF BUILDS UP AS THE LIGHT FADES.
ACT
ONE
THE SOUND OF WAVES FADES. A SMALL SPOT COMES UP ON ALAN IN A KIMONO DRESSING GOWN.
ALAN
Alright,
I went to see your mum and dad. It was okay except that they didn't say
boo to me for about an hour. I guess they have enough to remind them of
you about the house without my being shoved down their throats as well.
One thing I did notice was that photo of you in your swimmers when we went
down to the Royal National Park wasn't there anymore. Well, it's gone.
I couldn't see it anywhere. I remember it used to be on top of their television
but it wasn't there this time. It was a good photo too. I remember because
I took it. So we had some talk about what I was doing with myself these
days but I could tell they weren't interested. I know they don't have to
like me but do they have to make it so obvious. Anyway I'm not going back
there again. As you always said, "They can well and truly go fuck themselves!"
At least I think you use to say that. Maybe it was me. But all the way
home I kept thinking about that photograph and how you looked in those
Speedos. I don't think I have any of those shots of you like that and do
you think I could find the negative! Why didn't I take some shots of you
starkers. You...not me! Give me something to wank over. I still had a wank
anyway just thinking about that photo of you in the Speedos. [MUSIC FILTERS
IN FAINTLY OF STRAUSS' FOUR LAST SONGS "BIEM SCHLAFENGEHEM] I use to watch
you just standing there and I'd think I was the luckiest bastard alive.
When we went out to the bars or whatever, people always stared at you.
They never stared at me first glance. It was always as an afterthought.
Well that's me, dear. An after thought. And don't say you never noticed
them because I always saw the glazed over look in your eyes. The way you
use to position yourself just so they'd get a better eyeful. You were such
a conceited bastard sometimes. And I'd get so jealous, do you remember?
You never said anything though. You'd just let me stew for hours and then
I'd feel like it was all my fault. But then after awhile I figured it out.
I had you. They didn't. Even when you were sick I used to get horny just
looking at you. I never told you that, did I? It didn't matter that you
were all bones. Not to me. All the important bits were still there. At
least as far as I could remember. I just wanted to make love to you the
way we used to for hours when we first met. Not the quick gropes for five
minutes it ended up like after a few years. I could close my eyes and dream
it was still you the way you were before you got sick. When we use to lay
in bed and have a candle burning by the bed and we'd wrap up in the doona.
Sometimes you would pull the covers over my head and cut the cheese talking
about Auschwitz and Dutch ovens. God but you were revolting sometimes!
Still, you always made me laugh. But then there were times when we would
just lay there and hold each other and kiss. You'd put on some classical
shit like Strauss and I'd drift off and we'd make love so slowly it was
like a dream and nothing seemed real anymore. It felt like we were the
only two people left in the world and we'd touch and flow like some kind
of ocean tide. [PAUSE THEN THE MUSIC STOPS SUDDENLY] Shit! How Jane
Olivor can you get! I better get ready. Tonight I dine with coyotes....and
may the food be sweet, the atmosphere; warm and the company; kind. [PAUSE]
Fat chance!
BLACKOUT
MUSIC FILTERS THROUGH OF JANE OLIVOR SINGING ALWAYS CHASING RAINBOWS. THE LIGHTS COME UP SLOWLY ON A SMALL APARTMENT IN SYDNEY RESPECTABLY FURNISHED WITH A SOFA IN THE CENTRE OF THE STAGE; TWO MATCHING CHAIRS ON EITHER SIDE; A SMALL COFFEE TABLE DOWNSTAGE CENTRE. TO THE RIGHT OF THE STAGE IS A SMALL DRINKS TABLE AND NEXT TO IT, STEREO. THE FRONT DOOR IS UPSTAGE NEXT TO IT. THE OTHER DOOR STAGE LEFT LEADS TO THE BEDROOM. BEYOND THE SOFA IS A KITCHEN/DINING AREA. THE ROOM IS SLIGHTLY MESSY WITH OLD RECORD COVERS, CUSHIONS, NEWSPAPERS, ETC. IN THE CENTRE OF THE COFFEE TABLE IS A FRAMED PHOTOGRAPH OF MICHAEL. AS THE LIGHTS COME UP WE SEE ALAN; A YOUNG MAN IN HIS EARLY THIRTIES STANDING BY THE STEREO HOLDING THE RECORD COVER IN ONE HAND AND A GLASS IN THE OTHER. THE SONG COMES TO AN END.
ALAN
Oh!
sing it, bitch!
HE PICKS UP THE RECORD BUT DROPS IT.
Oh shit! That's Danny's record. He's gonna burst his bag.
HE PICKS UP THE RECORD AND WIPES IT ACROSS HIS HIP
I know. If he tries to play it I'll tell him the stereo's broken.
HE REPLACES THE RECORD ON THE TURNTABLE. THE BUZZER SOUNDS. ALAN ANSWERS IT
Who is it?
VOICE
[OFF]
It's me.
ALAN
Oh!
Phillip, just a minute. Er..I was in the shower.
HE STARTS TRYING TO CLEAN UP THE FLAT.
VOICE
[OFF]
Don't bother cleaning up, Lana. Just let me in.
ALAN BUZZES HIM IN. PHILLIP ENTERS.
PHILLIP
Don't
tell me. I know I'm early. I got a cab. I just had to get out of that bloody
flat. Barry's gone on one of her house moving benders again. Wanted to
move the furniture 40 minutes before we're suppose to leave. I said to
him, I said "Barry, wait till tomorrow. We're gonna be late . We're suppose
to be at Alan's at eight." He says "Oh, it's just the lounge. It keeps
getting hit by the sun everyday. It'll fade and lose all it's colour."
So he moves the lounge and then decides that the chairs look strange where
they are. Then the fern was too close to the coffee table to give the right
effect. He said it was leaning to one side. I was going to say something
filthy but you know he never gets my jokes. He says if anyone sits down
on the coffee table they get attacked by the plant. "Bit like a Triffid"
he says. "Bit like a dickhead" I said. He pouts and starts pounding the
cushions And of course David just stands there with that stupid "Well,
you said he could move in" look on his face. It's times like that I could
smack his chops. I can't understand how anyone could have Barry as a boyfriend.
It's no wonder Danny kicked him out. I tell you, the schmuck who has a
bank manager for a boyfriend deserves everything they get. Anyone as boring
as that has got to be a frustrated interior decorator just dying to paint
the backdrop for a grotty production of Naughty Marietta in the local musical
society. [HE FINALLY NOTICES WHAT ALAN IS WEARING] Why aren't you dressed?
ALAN
Fine
thanks, Phillip. How are you?
PHILLIP
Don't
be a martyr, Lana. You're not ready to go out.
ALAN
I'm
just running a little late, that's all.
PHILLIP
Well,
thank Christ for that. I thought for a moment you were going as Madame
Butterfly and we'd have to pack the cutlery.
ALAN
Whose
car are we going in? Don't forget mine is still in the garage getting your
bump out of my fender.
PHILLIP
Don't
keep bringing that up again. What can I say? I was on drugs. Who's not
drinking at the moment?
ALAN
That
depends. Who's on penicillin this week?
THEY LOOK AT EACH OTHER
BOTH
Danny.
PHILLIP
I
swear he just has to wave his dick in the air and he gets a dose.
ALAN
He's
done that often enough. So have you as well.
PHILLIP
Anything
for a free drink.
ALAN
We
know.
PHILLIP
Thank
you very much but I was referring to Danny.
ALAN
Nothing
worse than a tight northern suburbs queen.
PHILLIP
That's
a bit harsh, dear. Is something wrong?
ALAN
No,
nothing. Why?
PHILLIP
Well,
you're not usually that eager to fling the ka-ka.
ALAN
I'm
just a bit uptight, that's all. I'm not sure I feel like going out tonight.
It's been a while.
PHILLIP
Don't
be such a tit! It's been six months. Too long, I know. You need this. We
ALL need this. And don't forget we're doing this for your benefit. So smile,
try to look happy and pretend you're enjoying yourself. Otherwise I'll
wait for you to get pissed and kick the shit out of you!
ALAN
Choice.
PHILLIP
I
have my moments.
ALAN
I'm
surprised you can even remember them.
PHILLIP
I
don't. I leave that for bitches like you.
ALAN
I
still remember you pulling your undies over your head in the middle of
Oxford Street.
PHILLIP
Oh
don't exaggerate. [BEAT] They weren't mine anyway. They were someone else's.
ALAN
Oh,
that's right. Then you ended up here on my sofa at 2.30 in the morning
not daring to go home to Daisy and face almost certain divorce.
PHILLIP
I
know, I know. And you covered for me.
ALAN
And
I covered for you, yes! But just remember, one word to implicate me in
your sordid little life and Daisy gets it all in glorious technicolour.
PHILLIP
It's
such a pity your sister died in that accident and not you.
ALAN
What
accident?
PHILLIP
When
that house landed on her and someone stole her ruby slippers!
ALAN
I'm
just amazed he hasn't caught on to you yet.
PHILLIP
He
won't. I have a very close sister who wouldn't dare spill the beans. As
far as Daisy is concerned, any night I'm out late, I'm with you.
ALAN
You
think it's easy looking him straight in the face and lying to him because
his boyfriend's turned into Superslut.
PHILLIP
There
could be a microwave oven in your Christmas stocking, this year.
ALAN
The
things I do for a major appliance.
PHILLIP
He
wouldn't believe you anyway.
ALAN
Why
not?
PHILLIP
Because
it's totally beyond him to do anything with anyone else and he thinks the
same about me.
ALAN
Well
that's very Melanie Hamilton of him, isn't it?
PHILLIP
It
works out. Now enough talking about moi. What are we going to do about
you?
ALAN
What
do you mean?
PHILLIP
[SOUTHERN
ACCENT] Well, tonight, of course. We's got to find you a new gentleman
caller or everyone's gonna know you're a cripple, Laura.
ALAN
I'm
not going out looking for anyone.
PHILLIP
[SOUTHERN
ACCENT] An' ah told you an' ah done tol' you, sugar, you's gots to find
yourself a man or'n folks is gonna starts to callin you a lesbian!
ALAN
I'm
just out for dinner and a little dancing, that's all. And the way I feel
at present I don't even want to do that!
PHILLIP
What
are you gonna do? Lock yourself up?
ALAN
Why
not?
PHILLIP
Don't
be so bloody stupid! You've been cooped up in this flat for four months
and there's no excuse anymore. Michael's gone, honey, and there ain't nothing
you can do about it. You gotta get on with your life. [PAUSE] Shit, I'm
starting to sound like a social worker.
ALAN
It
takes a while, okay, Phillip?
PHILLIP
Bullshit!
Don't you use that excuse on me. The way you go on you'd think you're
the only person who's ever lost someone. I've been through it too. Most
of this town has. When Leslie died I was a wreck. But I'm sure he wouldn't
want me sitting around in black for the rest of my life...even if black
is my best colour. Come to think of it, maybe he would. He never could
stand to see me enjoy myself. That's why he always laid on his stomach
BUT that's beside the point, you do the grieving and then move on. That's
what it's all about. And that's what we're gonna do tonight. Me and all
your Monday night friends. We're gonna drag, and I use that term loosely,
that miserable wreck of a body of yours out for a night on the town and
you're gonna have so much fun, you'll be begging us to slap you! Okay?
ALAN
I
suppose.
PHILLIP
Always
were a gem with the replies. Come on. Get ready. Everyone's gonna be here
soon.
ALAN
Where
are we eating?
PHILLIP
Danny's
booked us into some new place some queen's just opened. It's called Il
Cavallo Ben Dotato.
ALAN
What's
it mean?
PHILLIP
The
Well Hung Horse, I think.
ALAN
Tasteful.
PHILLIP
Never
could resist a faggy name. But I kept telling her, just because they're
gay doesn't mean they can cook! Just take a look at Dougie. I'm still recovering
from his last dinner party. The gravy took the colour out of my tie. Oh,
and by the way, she's found herself a new beau.
ALAN
Who?
Dougie?
PHILLIP
Uh-huh
. A barman. Comes from out west.
ALAN
What's
this one like then?
PHILLIP
Oh,
you know...
BOTH
Tall.
ALAN
They
always are.
PHILLIP
This
one's a real shit-kicker, so I've been told. Built like a German Female
Javelin thrower.
ALAN
A
new one every week. How does he do it?
PHILLIP
With
a milk crate, I expect.
ALAN
Well,
at least he won't crease his Levis.
PAUSE
PHILLIP
I
don't get it.
ALAN
Think
about it.
PHILLIP
I'd
rather not.
THE BUZZER SOUNDS AND STARTS TO GO INTO A RHYTHM. THEY LOOK AT EACH OTHER.
BOTH
Gerald.
PHILLIP
I
thought he was away.
ALAN
[BUZZING
HIM IN] So did I.
PHILLIP SIGNALS FOR THEM BOTH TO HIDE BEHIND THE SOFA. GERALD ENTERS WEARING FLORAL SHIRT AND MATCHING SHORTS. HE IS CARRYING A SUITCASE. ALAN AND PHILLIP JUMP UP AND FRIGHTEN HIM.
BOTH
Hi,
Geraldine!!
THE SMILE DISAPPEARS QUICKLY FROM HIS FACE. HE PUTS DOWN HIS SUITCASE.
GERALD
[THROUGH
GRITTED TEETH] Hi Alan. Hello Phillip. How are we all?
PHILLIP
[SOUTHERN
ACCENT] Why, we's jus' fine, Geraldine. How are you?
GERALD
Phillip,
don't call me Geraldine.
PHILLIP
Fine
with me, Gillian.
GERALD
I
ain't no girl. Boy that gets on my tits.
PHILLIP
Bouncy,
bouncy.
GERALD KISSES ALAN ON THE CHEEK
GERALD
Hello,
gorgeous. How's it hanging?
PHILLIP
Oh,
God. The butch brigade's arrived.
GERALD IS ABOUT TO KISS PHILLIP ON THE CHEEK THEN DECIDES TO MESS UP HIS HAIR.
Not the hair, not the hair! I've just had it sand-blasted, you poxy slag.
GERALD
I
see Cruella Deville time-warped in again.
PHILLIP
On
the look-out for stray dogs, honey. Busy tonight?
GERALD
I
reckon that's just about your level.
PHILLIP
Woof!
GERALD SITS ON THE CHAIR DOWNSTAGE RIGHT.
ALAN
How
was the trip, Gerald?
GERALD
Really
good, thanks.
PHILLIP
Short
break from space-waitressing was it?
GERALD
Phillip,
I happen to take my job very seriously. Being a flight attendant's not
as easy as you seem to think. If you mean how is my job, it's shithouse!
But I think I'll be in line for a promotion pretty soon.
PHILLIP
Oh,
my lord, they're gonna move him up to First Class. My, my, this boy's going
places. Well, the sky's the limit, if you'll pardon the pun. We're gonna
have to watch this one. Here we go. And the exits are there, there, there
and there.
HE MIMES PUSHING A TROLLEY AND THE AIRPLANE EXITS ROUTINE THEN SITS DOWN.
GERALD
Cute.
You should get yourself a club act.
PHILLIP
Sweetheart,
I am a club act.
ALAN
Been
somewhere tropical, Gerald?
GERALD
How'd
you know that?
ALAN
Took
a punt, I guess.
GERALD
Yeah.
I spent a week on the Gold Coast. I only remembered the dinner party this
afternoon. Totally forgot about it.
PHILLIP
So
what else is new.
GERALD
So
I jumped on the first plane home. I love our Monday nights. Wouldn't miss
one for the world. Good to see you've joined the land of the living again,
Alan.
PHILLIP ALMOST CHOKES ON HIS DRINK.
GERALD
Oh,
shit, Alan,...I didn't mean anything...like...I wasn't trying to be funny
...Sorry...er, look, Alan, do you mind if I borrow one of your shirts?
All my clothes are filthy. Or do you think I could get away with this?
PHILLIP
Oh,
I think that would be perfect.
ALAN
I'll
get you one.
ALAN GOES INTO THE BEDROOM. PHILLIP POINTS TO THE SOFA SEAT NEXT TO HIM AND GERALD SITS DOWN.
PHILLIP
Gerald,
honey, mind if I ask you a question?
GERALD
[SUSPICIOUSLY]
What?
PHILLIP
Tell
me. Out of all the places in the world you can fly to, why is it you would
pick the Gold Coast?
GERALD
I
don't like flying that much.
PHILLIP
You're
an airline steward and you don't like flying. Of course. Silly me.
GERALD
No,
what I mean is, I can't relax around foreigners. They're not exactly the
nicest sort of people.
PHILLIP
[SENDING
HIM UP] Der....That's why they're called foreigners, honey. It sort of
comes with the territory.
THEY START TICKLING EACH OTHER. PHILLIP JUMPS ON TOP OF HIM AS ALAN COMES OUT OF THE BEDROOM WITH A SHIRT.
ALAN
Here
you are, Gerald. Leave him alone, Phillip.
PHILLIP
[HOLDING
UP HIS HANDS] Do you see any blood?
ALAN
Not
through that cheap nail varnish.
PHILLIP
Jungle
red.
GERALD CHANGES INTO HIS SHIRT
PHILLIP
Oooh,
don't rush it, honey. In this light you can hardly see the Velcro holding
it all together.
ALAN
Been
working out, Gerald?
GERALD
Oh,
you can tell?
BOTH
No.
GERALD
I
hate it when you guys do that.
ALAN
Would
anyone like a drink?
GERALD
No,
thanks.
PHILLIP
I
will.
ALAN
Did
I have to ask?
HE GOES TO THE DRINKS TABLE
GERALD
Is
everyone coming tonight?
PHILLIP
As
far as we know.
GERALD
Great.
It'll be just like old times, won't it.
ALAN
I
doubt it.
PHILLIP
Shut
up.
GERALD
Oh,
will...er...Dougie be here, then? Yeah, I guess he would be, wouldn't he?
PHILLIP
Of
course he will be, you putz. It's our Monday night. Dougie is part of the
group, you know.
ALAN
Down,
fang.
PHILLIP
You
seem a tad bothered, Geraldine.
GERALD
What?
Er...No I'm not. Why d'you say that?
PHILLIP
You've
gone a touch Blanche Du Bois, all of a sudden.
ALAN
Just
a little jet lag. Isn't that right, Gerald?
GERALD
Yeah,
of course. Jet lag.
PHILLIP
From
a one hour flight?
GERALD
I
haven't been sleeping much lately.
BOTH
Slut.
PHILLIP
Geraldine,
are you keeping something from your aunt Phyllis? Something I should know
about?
GERALD
No.
Of course not. Why? Did Dougie said anything?
PHILLIP
I
haven't seen her in weeks.
GERALD
Oh,
well, that's alright then.
PHILLIP IS JUST ABOUT TO SAY SOMETHING WHEN THE BUZZER RINGS. GERALD GETS UP
GERALD
I'll
get it.
HE GOES AND BUZZES THE DOOR OPENS. DOUGIE SCREAMS IN. A SHORT MAN IN HIS EARLY THIRTIES. STANDING NEXT TO HIM IS COLIN; A MUCH TALLER MAN, THE SAME ACTOR AS MICHAEL. GERALD IS IMMEDIATELY ATTRACTED TO HIM.
DOUGIE
Hello,
Geraldine.
HE GETS NO RESPONSE FROM GERALD SO HE SWEEPS INTO THE ROOM. COLIN STANDS JUST INSIDE THE DOORWAY NEXT TO GERALD.
Phyllis sweetheart. So good to see you up and about. Though I'm surprised you got your walking frame up all those stairs.
PHILLIP
Fuck
you.
DOUGIE
Now
I've told you before, don't try to hide your convent education. Our Lady
of The Sacred Bleeding Armpits is written all over the front of your pinny.
Alan, precious, as usual you'll be able to bring a little class to this
menagerie of misfits, tonight. [HE TURNS TO GERALD] How are you, Geraldine?
[THEY GO TO EMBRACE THEN DOUGIE CUTS HIM OFF] Oh, dear, I almost forgot.
HE GOES TO COLIN AND DRAGS HIM INTO THE ROOM
Everyone, I'd like you to meet Colin. Colin... everyone. Lana, Phyllis and Geraldine.
THEY ALL MUMBLE THEIR HELLOS
DOUGIE
Aren't
they the most wordy bunch? Normally you can't turn them off.
PHILLIP
You've
never had that problem, have you dear?
ALAN
Down,
girls.
DOUGIE
Isn't
Colin a dish, ladies? I met him at the pub. He's the new barman. First
time in the big smoke. I took one look at him then melted. We just stood
there gazing into each other's eyes.
PHILLIP
Until
someone told you to get off the counter.
DOUGIE IGNORES HIM
DOUGIE
I
swear it was love at first sight.
PHILLIP
Oh,
my lord, they're gonna start having babies.
DOUGIE
Jealous?
PHILLIP
Not
at all. I find the thought of going to bed with you utterly repulsive.
DOUGIE
If
you're going to take cheap shots then have the decency to put your dentures
in, dear. It's hard to understand you when you mumble and Colin has a slight
hearing problem.
PHILLIP
Run
out of cripples this week, dear?
DOUGIE
Well,
if I wanted a sexual cripple I'd know just where to look.
ALAN
Don't
take any notice of them, Colin. They're always like this. Deep down they
really care for each other
PHILLIP
Of
course. We're just like sisters.
DOUGIE
Siamese.
Joined at the shoulder pad.
PHILLIP
Pass
me the machete.
DOUGIE
Colin's
not really a barman. He's just earning a little extra money. Actually,
he's a student.
ALAN
Oh,
yes? What are you studying, Colin?
DOUGIE
He's
going to be an actor. Isn't that too sweet?
PHILLIP
Dreamy.
COLIN
I'm
just doing classes, that's all. I don't even know if it's what I want to
do.
DOUGIE
But
he's so talented. [TO PHILLIP] In all departments. You watch. One day some
big agent is bound to notice him and then it'll be stage door johnnies
every night clambering for his autograph...
COLIN
I
really don't think...
DOUGIE
And
I'll be just another Chekhov widow staring off into the distance.
ALAN
Oh,
Jesus.
PHILLIP
Quick.
Get me a bucket.
DOUGIE
Will
a trough do?
ALAN
Colin,
why don't you sit down.
COLIN
Thanks.
COLIN SITS IN THE CHAIR DOWNSTAGE RIGHT.
ALAN
Can
I get you a drink, Colin?
DOUGIE
Bourbon,
dear. Lots of ice. That's for me.
ALAN
Colin?
COLIN
Beer,
if you have any.
ALAN
Sure.
Anyone else?
PHILLIP
Make
mine a triple.
ALAN
Of?
PHILLIP
Don't
get fussy.
DOUGIE
Oh,
it's going to be one of them nights again, is it?
PHILLIP
Does
the Pope shit in the woods? [HE LOOKS AT COLIN] Is it me or....no ....never
mind.
ALAN
What?
PHILLIP
It's
just that...excuse me, Colin, but you look like someone we know.
GERALD
[EXCITED]
He looks like Michael.
DOUGIE
That's
what I said the first time I met him. I said "Doesn't he look like Michael?"
ALAN
Not
really. I don't think so.
PHILLIP
Well
I think it's uncanny.
ALAN TURNS TO THEM WITH A SAVAGE LOOK IN HIS EYES.
DOUGIE
[CHANGING
THE SUBJECT QUICKLY] Mm-mm. I must say I've missed our Monday nights, Alan.
You don't mind my bringing Colin along tonight, do you? I know it's our
first night back and all but this is Colin's one evening off and I couldn't
leave baby sitting at home all on his lonesome. Say you don't mind.
ALAN
Why
should I mind? You're quite welcome to come along, Colin.
GERALD
That's
for sure!
THEY ALL LOOK AT GERALD; SURPRISED BY HIS OUTBURST
Er...what I mean is...er...the more the merrier, right?
PHILLIP
I
think Geraldine is forming eggs.
COLIN
Dougie
told me you all use to go out every Monday night. That must be great. I
feel a bit like an intruder. You sure you don't mind my coming along?
DOUGIE
Of
course they don't. You don't know this group. They thrive on new blood.
Just keep your collar high.
PHILLIP
And
your pants low.
COLIN
I'll
remember. It's really nice meeting you all. I don't know that many people
in the city.
PHILLIP
How
long have you been here?
COLIN
Two
weeks.
PHILLIP
Jesus!
Dorothy didn't take long to pounce.
ALAN
Never
does.
DOUGIE
Watch
it.
GERALD
Where
are you from?
COLIN
Middle
of the state. Small town. You wouldn't know it. I guess the biggest place
I've ever been to is Dubbo.
PHILLIP
So
you really are a shitkicker. Oh this is prime. Well, Dougie, you've outdone
yourself this time.
DOUGIE
Why
don't you just do yourself this time, queen.
GERALD
I
come from a small town.
PHILLIP
Don't
we know it.
DOUGIE
Where
are the rest of the girls?
ALAN
They'll
be here.
PHILLIP
Barry's
probably tearing up the carpets as we speak.
ALAN
Oh,
Danny called earlier. He wanted to know if it would be alright for him
to bring someone along.
DOUGIE
Who?
ALAN
He
didn't say. Someone he met at the pub, I think.
PHILLIP
Well,
what did you say?
ALAN
I
said I didn't think anyone would mind.
PHILLIP
Oh
Jesus. Well you can break it to Barry. You know how thingy he gets about
the inner sanctum. [REFERRING TO COLIN] It's gonna be hard enough explaining
lover-boy over there.
ALAN
I
can handle him.
DOUGIE
So
can I. As long as I'm using surgical tongs.
PHILLIP
Leave
your nipple clamp fetish out of this, Dorothy.
ALAN
I
heard he uses clothes pegs.
PHILLIP
Only
when he has to improvise.
GERALD
And
that's when they're still on the line.
THEY ALL LOOK AT GERALD
Sorry. Just getting into the flow of things.
DOUGIE
I
hope you all get toxic shock from your panty shields.
ALAN
Well,
I can't sit around sharing Bon mots with you lot.
GERALD
What's
that?
DOUGIE
It's
French, dear.
PHILLIP
Ah.
Those were the days.
DOUGIE
Way
back in the dark ages?
PHILLIP
Don't
you start on about age. The only way we'll be able to tell yours is when
the carbon dating comes back.
DOUGIE
Nonsense.
I never try to hide my age.
PHILLIP
We
know. It would be pointless when it's listed in all the medical journals.
DOUGIE
Colin
knows my age. A youthful 29.
ALAN
That
seems to be a very popular age with you, pet.
PHILLIP
I'll
say. He's had it six times already. I suppose you told Colin those stretch
marks around your mouth were from cheer leading?
DOUGIE
You're
all vicious queens. Just because you're ugly does it mean you have to be
bitter as well.
ALAN
I'll
go and slip into something more comfortable.
PHILLIP
Quick.
Hide the gladwrap and cooking oil.
ALAN GOES INTO THE BEDROOM. THE OTHERS SIGH AND TRY TO RELAX.
COLIN
Why
would this Barry person mind if....Danny, is it?...
DOUGIE
Uh-huh.
COLIN
Danny
brought someone along.
DOUGIE
Oh,
sweetie, that heap big saga. Barry and Danny used to be boyfriends.
PHILLIP
[CLORIS
LEACHMAN IN YOUNG FRANKENSTEIN] "Go on, say it! He was my boyfrieeend!!!"
DOUGIE
But
a few years ago but they had a bit of a falling out.
PHILLIP
No
dear. World War II was a bit of a falling out.
DOUGIE
And
unfortunately there were children involved.
PHILLIP
It
always gets messy when there's children.
COLIN
Children?
They had children? I don't understand.
PHILLIP
Two
cats and a tropical fish called Spiro.
DOUGIE
The
two cats were easy to divide. Unfortunately Barry also tried to divide
Spiro.....
PHILLIP
With
Danny's face.
DOUGIE
[TO
PHILLIP] Look, Phyllis, who's telling this damn story?!
PHILLIP
Things
were very unpleasant for a while.
COLIN
And
now?
PHILLIP
They're
worse!
DOUGIE
They
rarely talk to each other. We sometimes have to act as translators.
GERALD
They
grunt at each other.
PHILLIP
When
Barry first moved in with me, Danny use to call up in the middle of the
night screaming at him for killing Spiro.
COLIN
All
this over a fish?
GERALD
Not
just a fish.
PHILLIP
A
rare Japanese Carp.
DOUGIE
Eighteen
thousand dollars worth.
COLIN
What?
PHILLIP
It
was a status symbol. Danny may not have owned a car but he did have one
fabulous fucking fish!
COLIN
Oh,
shit. That's unbelievable.
DOUGIE
Believe
It Or Not.
COLIN
So
Barry's your boyfriend now, right?
PHILLIP
Wrong!
Barry's my flatmate. We ended up sharing after Danny threw him out. God
only knows how I let it happen. Barry's not the easiest person to lived
with, I can tell you. No, my lover is David.
GERALD
Daisy.
PHILLIP
Daisy.
COLIN
And
he's coming tonight, too?
PHILLIP
Not
on your life! [GRIMLY] I want to enjoy myself.
DOUGIE
So
much for love.
PHILLIP
Up
yours!
DOUGIE
Charmed,
I'm sure.
PHILLIP
The
trouble is Barry and Danny still like each other.
DOUGIE
Luurrve.
PHILLIP
Okay.
Luurrve.
DOUGIE
Every
time we go out it's a lot of fun as long as you're not in the line of fire.
GERALD
Maybe
they've calmed down by now. I mean, it has been six months since we last
went out.
COLIN
Why?
PHILLIP
Well,
sweetheart, once upon a time, long, long ago..
DOUGIE
There
were seven evil queens who, every Monday night would dine, dance and tear
each other to shreds. Barry, Phyllis, Geraldine, Danny, Alan, Michael and
myself.
COLIN
Who
is this Michael, anyway?
PHILLIP
Michael
died six months ago.
COLIN
Oh?
How did he die?
DOUGIE
That’s
not really import...
GERALD
He
died of AIDS.
PHILLIP AND DOUGIE EXPLODE
DOUGIE
Jesus,
Gerald! What the hell...
PHILLIP
For
Christ's sakes Gerald, can't you shut your mouth!
GERALD
I'm
sorry, I...
PHILLIP
No-one
has to know that!
DOUGIE
Bloody
hell!
GERALD
It
was an accident.
DOUGIE
You're
the accident!
COLIN
Look,
I'm sorry. I shouldn't have asked.
PHILLIP
Nonsense.
Geraldine here has a big box, that's all.
DOUGIE
Never
knows when to shut it.
GERALD
I
said I was sorry.
PHILLIP
It's
too late now. The damage is done. Let's just drop it.
COLIN
It's
my fault. Don't blame Gerald. It's just that I've never known anyone who
died from that. No-one. Is that him in the photo?
GERALD
Uh-huh.
COLIN
He's
very good looking.
DOUGIE
He
was our one knight in shining armour. So happy.
GERALD
A
great guy.
DOUGIE
We
were all very upset when he went.
GERALD
Shattered,
more like it.
DOUGIE
We
knew it was coming though and at least he had us.
GERALD
I
still miss him.
DOUGIE
Michael
was Alan's boyfriend.
COLIN
How
long were they together?
PHILLIP
[QUIETLY]
Nine years.
DOUGIE
A
record in my book.
PHILLIP
We
put our Monday nights on hold for a while.
DOUGIE
Till
Alan was ready.
PHILLIP
But
you're not to mention it to him, okay?
COLIN
I
swear.
PHILLIP
That
goes for you too, Gerald.
DOUGIE
We
don't want him to be reminded. It's gonna be hard enough as it is.
PHILLIP
That's
enough of that subject, thank you.
THE BUZZER RINGS
I'll get it.
HE PRESSES THE BUZZER. BARRY ENTERS WEARING LEATHER VEST, CHAPS AND CAP. HE CARRIES A BUNCH OF FLOWERS.
BARRY
Okay,
if any shithead says I'm late they get a swift kick to the back box.
DOUGIE
Beulah,
darling, you always were one for a big entrance.
PHILLIP
And
Beulah has the biggest entrance known to man.
BARRY
Don't
push your luck, Phyllis. I've had enough of you already.
DOUGIE
And
like her food we know Beulah never shares with anyone.
BARRY
Phyllis,
have we done the line about the ruby slippers?
PHILLIP
Done.
BARRY
Bitch!
You always take my best lines. Where's Lana?
GERALD
Getting
ready.
BARRY
[CALLING
OUT] Something nice, Lana. None of your crimplene boob tubes and chunky
thongs. Where's the mutant?
PHILLIP
If
you're referring to Danny, he hasn't arrived yet.
BARRY FINALLY NOTICES COLIN.
BARRY
And
who are we, then?
DOUGIE
We
are the swamp creature, Beulah, didn't you know?
BARRY
Dorothy....you're
short, you're fat and you're ugly. Cut your losses...kill yourself!
PHILLIP
No,
don't hold back, Beulah, say what you feel.
BARRY
I
want to know who this is.
DOUGIE
[DRAPING
HIMSELF OVER THE BACK OF COLIN'S CHAIR] Oh, this old thing. I've had it
for years.
PHILLIP
Just
like most of Beulah's wardrobe.
BARRY
Who
rattled your cage, woman?
DOUGIE
Barry,
this is Colin. Colin, this is Barry.
COLIN
Nice
to meet you.
BARRY
[COLDLY]
Ditto, I'm sure.
DOUGIE
Barry,
Colin is my date for tonight.
THERE IS A PAUSE WHILE EVERYONE WAITS FOR BARRY'S REACTION. BARRY TURNS TO LOOK AT DOUGIE THEN BACK AT COLIN.
BARRY
How
tall are you, Colin?
DOUGIE
Fuck
off, Beulah!
BARRY
[TO
DOUGIE] Down, Rinnie, down. Naughty girl. You know, he looks just like
Michael.
PHILLIP
That's
what we said. [CALLING OUT] Alan, get your poor white trash arse out here
this minute, girl, or we're leaving without you.
GERALD
Yeah,
come on Alan. I'm starving.
BARRY
For
grey matter, we know.
ALAN ENTERS WEARING NEW CLOTHES
ALAN
Hello,
Barry. How are you?
BARRY
Shut
up bitch and get me a drink. I've been here a full half minute and a glass
has not crossed my path. What kind of cheap bordello are you running here
anyway, Blanche?
ALAN
I
hear you've been redecorating, Barry.
BARRY
Yes.
And I think I've hurt my back as well.
PHILLIP
How
did you do that?
BARRY
Moving
your wardrobe. Oh and I've decided you need new curtains for your room.
PHILLIP
Well,
thank you.
BARRY
Not
at all.
BARRY NOTICES GERALD AGAIN
And here we have Geraldine, skulking away in the shadows.
PHILLIP
It's
his favourite haunt.
BARRY
No,
that's not his favourite haunt, these days, is it, Geraldine? No, our girl
has found herself a new playground.
GERALD
I
don't know what you're on about.
BARRY
No?
PHILLIP
What
are you talking about, Beulah?
BARRY
Far
be it from me to spread the dirt.
DOUGIE
Shut
your guts, Beulah!
BARRY
Oh,
sorry dear. I'd forgotten it was suppose to be a secret. Okay then, mum's
the word. You won't get dick out of me, girls. You can torture me and I
still won't tell a thing. Not a sausage. No sirree, bob.
PHILLIP
Geraldine,
are you and Dorothy keeping something hidden? I knew it.
BARRY
Oh,
it's probably half way round town by now. I don't know why you're being
Sandra Sensitive, Dorothy. You're the one who blurted it out to me.
ALAN
Blurted
out what?
BARRY
Well,
it seems,...
DOUGIE
I'm
warning you, Beulah.
BARRY
It
seems Geraldine was in a certain notorious gentlemen's club the other week...
GERALD
It's
not true. I wasn't there.
BARRY
Apparently
in one of those very intimate cubbyhouses...You know the sort; vinyl decor,
low wattage bulbs and not a decent throw pillow or indoor plant to be seen,
our Miss Geraldine was having her married organs fondled and slapped by
some stud through a hole in the wall.
ALAN
Oh,
goodness.
PHILLIP
So
what else is new? We've all been there. And Geraldine is famous for slinging
her hook.
GERALD
Her
what?...I mean, my what?
PHILLIP
Come
to think of it, you're not exactly adverse to that sort of thing either,
Beulah so fling not the mud, Slime Queen.
BARRY
We
are not here to discuss moi.
ALAN
Fortunately.
BARRY
May
I finish my story?
PHILLIP
Please
tell. We're all ears.
BARRY
You
better let your thighs know that, dear.
GERALD
It's
not very interesting. Anyone like another drink?
BARRY
Well,
once Geraldine had consummated her marriage with Mr Right on the other
side of the wall and rid herself of child....
ALAN
Oh,
yuk!
BARRY
Out
she steps to find herself face to face with Dorothy stepping out of the
next cubicle.
ALAN AND PHILLIP START SCREAMING IN HYSTERICS.
GERALD
It's
not true!
BARRY
Oh,
no?
DOUGIE
You
evil queen, Beulah.
GERALD
It
wasn't me!
BARRY
As
soon as they see each other they bolt in opposite directions so fast.
PHILLIP
Oh,
this is too much! Dougie, how could you?
DOUGIE
How
the hell was I suppose to know whose dick it was? I guess I'm one of the
few people in this town who doesn't know every curve of that slut's member!
ALAN
Ugh!
GERALD
I'm
not a slut!
BARRY
Well,
Dorothy, at least you know what everyone else in this town has been trying
to avoid.
GERALD
It's
not funny, you vicious queens! It wasn't my fault. [TO DOUGIE] Why'd you
have to tell him that for?! [TO BARRY] It wasn't me. Just someone who looks
like me, that's all.
PHILLIP AND ALAN ARE STILL HOWLING WITH LAUGHTER.
PHILLIP
Well,
there's only one way to find out. We'll have a line up. Dougie, get on
your knees. We'll blindfold you and you can tell us whose dick it is.
DOUGIE
Oh
you really are sick!
PHILLIP
Get
over it, girl!
DOUGIE
[TO
BARRY] I wish the hell I never mentioned it to you.
BARRY
But
you did, woman, you did!
DOUGIE
It
was suppose to be confidential. Between us.
PHILLIP
Don't
worry, Dougie. That stupid look on Geraldine's face would have given it
away eventually.
GERALD
I'm
not stupid.
DOUGIE
I'm
never going to tell you another thing again, you old fat slut!
BARRY
Watch
who you're calling old, bitch!
ALAN
Okay,
gang. That's enough for one night.
PHILLIP
That
story alone should do us till Christmas.
COLIN
I
don't understand.
PHILLIP
Oh,
honey.
DOUGIE
You
don't want to know, sweetness. And the rest of you can keep your mouths
shut!
GERALD
Why're
we waiting? Let's go to dinner.
PHILLIP
We
can't go yet. Danny's still not here.
BARRY
Where
the hell is she?
ALAN
Who
knows.
GERALD
Well,
can't we go to the restaurant now? We could always leave him a note.
BARRY
That's
not the way it's done, Geraldine. We all leave from here. Let's not flaunt
tradition. Whose car are we going in?
PHILLIP
Yours
and Danny's.
BARRY
Has
she got the clap again?
PHILLIP
Probably.
Call it a sign of the times.
BARRY
Call
it a slut and a half!
DOUGIE
Now
dear, let's not cast nasturtiums.
ALAN
Isn't
that a flower?
BARRY
She's
trying try to be witty, Lana. Don't laugh or you'll crack your make-up.
Where are we eating?
PHILLIP
The
Well Hung Horse.
BARRY
Pardon?
PHILLIP
The
Well Hung Horse! It's Italian.
BARRY
Let
me guess. Danny's choice?
DOUGIE
It's
his turn. Can't you tell?
BARRY
That
girl always had the worse taste.
PHILLIP
We've
always thought so.
THE OTHERS START LAUGHING THEN STOP AS BARRY MOVES IN ON GERALD.
BARRY
That's
a really nice outfit you're wearing, Geraldine. Those shorts are really
you.
ALAN
Oh,
shit, I forgot to get you some trousers Gerald.
GERALD
What's
wrong with these?
BARRY
Nothing
a good flame thrower couldn't fix.
GERALD
I
thought they looked kinda nice.
BARRY
For
a Fijian housewife, yes. But you're not coming with us in them.
ALAN
I'll
get you some trousers, Gerald. There's still some old pair of Michael's
around somewhere.
HE GOES INTO THE BEDROOM
GERALD
Oh,...I'd
rather not...
THEY ALL STARE AT HIM.
Oh...whatever you can find.
BARRY
What
time is it?
PHILLIP
[LOOKING
AT HIS WATCH] Eight-twenty.
GERALD
I'm
starving.
DOUGIE
Someone
get Geraldine a feed bag.
THE BUZZER RINGS
GERALD
I'll
get it.
GERALD GOES AND BUZZES OPEN THE DOOR. DANNY STAGGERS IN, BLEEDING FROM A SMALL WOUND ON HIS FOREHEAD AND A SPLIT LIP. HIS CLOTHES ARE TORN. HE FALLS TO THE FLOOR, MOANING. THEY ALL THINK HE IS JOKING UNTIL THEY SEE THE BLOOD. THERE IS GENERAL MAYHEM.
BARRY
Oh,
dear, what's happened?
GERALD
Oh,
shit!
PHILLIP
Jesus
Christ!
DOUGIE
Pick
him up.
GERALD
What?
PHILLIP
Get
him off the floor, you great twat!
GERALD
What's
the matter with him?
BARRY
He's
been bashed, dickhead! What? Do you think this is some clever make-up job
or something?
GERALD
Oh,
Shit.
DOUGIE
Well,
just don't stand there, Gerald. Help us get him on the sofa.
THEY ALL CARRY HIM OVER TO THE SOFA AS ALAN RE-ENTERS FROM THE BEDROOM WITH A PAIR OF TROUSERS.
ALAN
Oh
god, what's wrong?
PHILLIP
Danny's
been bashed?
ALAN
Oh,
shit. Hang on. I'll get the first aid.
GERALD
He
doesn't look too bad.
THEY ALL LOOK AT GERALD, INCLUDING DANNY
BARRY
Better
get a mustard plaster for Geraldine's mouth while you're at it.
ALAN GOES BACK INTO THE BEDROOM
DOUGIE
Are
you alright, honey?
GERALD
I'm
fine.
PHILLIP
He
wasn't talking to YOU, idiot!
DOUGIE
Get
him a drink.
BARRY
Who
did this to you, baby?
DANNY SITS UP AND AFTER A PAUSE HE SPEAKS
DANNY
Make
it a double!
HE SLUMPS BACK ONTO THE SOFA
DOUGIE
Oh
my god, she's got brain damage. She's never asked for anything less than
a triple in her life!
BARRY
Get
him a drink, Geraldine, for chrissakes.
GERALD
What
does he drink? I don't remember.
BARRY
Whisky.
DANNY
And
a chaser.
GERALD
What
kind of chaser?
DANNY
More
whisky!
ALAN RE-ENTERS WITH ANTISEPTIC LOTION AND COTTON WOOL.
BARRY
Here,
Lana, let me do it. You go and boil some water and get some towels.
PHILLIP
She's
not gonna have a baby, Beulah.
DOUGIE
The
way she looks at present I think she's already had one.
DANNY
I'm
dying and all I hear is jokes.
BARRY
Who
did this to you?
DANNY
Never
mind.
GERALD
We
should call the police.
PHILLIP
Oh,
sure. If you've got five hours to wait for them to come around. You know
how good they are at catching poofter-bashers. Probably give the little
fuckers a medal and a job.
BARRY LIFTS HIM UP A LITTLE TO WIPE THE BACK OF HIS NECK.
DOUGIE
That's
right. Remember when I got jumped.
PHILLIP
You
should be grateful.
DOUGIE
I
mean when I got attacked near my place. I called the police and no-one
showed up. Lucky I didn't have anything valuable on me.
PHILLIP
Except
your pension card.
DANNY
It
wouldn't do any good, anyway.
ALAN
Why
not?
DANNY
It
wasn't a poofter-basher.
BARRY
Who
was it then?
DANNY
My
date.
BARRY DROPS HIM. DANNY MOANS.
BARRY
Lana,
take over. I'm no fucking Florence Nightingale!
PHILLIP
So
much for a career in nursing.
ALAN
Why
did your date beat you up?
DOUGIE
Surely
you're not that bad in bed.
DANNY
I
never even got him into bed.
PHILLIP
Then
perhaps you should work on your foreplay.
DANNY
I
was. That's why he beat me up. He's straight.
ALAN
You
tried to pick up a straight man?
DANNY
I
didn't know he was straight. He was at the pub, that's all I know.
PHILLIP
You
mean he didn't know it was a gay pub?
DANNY
No,
I mean, I didn't know it was a straight pub.
DOUGIE
What,
in God's name, were you doing in a straight pub?
DANNY
Look,
what is this? Twenty questions? I wasn't paying attention to the surroundings
so much, okay? I saw him staring at me at the intersection so I followed
him into this pub on the corner. You see, unlike you lot I don't go to
all that many pubs and bars. So many of them burn down these days it's
a little hard to keep track anyway which one's are gay and which aren't.
He was making eyes at me, or so thought, so I suggested he come along tonight.
BARRY
You
mean, here? Tonight? With us?
DANNY
Yes,
Beulah. Here. Tonight. With us.
BARRY
You
selfish little shit! What makes you think you can bring your cheap trade
along to one of our Monday nights?
DANNY
Oh,
fuck off, Barry!
BARRY
It's
just typical, isn't it.
DANNY
Typical
of what?
BARRY
Typical
of your insensitivity. You're always thinking of yourself.
ALAN
Okay
boys. Time out.
BARRY
You
know we have these nights for the group only.
DANNY
Where
is it written? Where in the Ten bloody Commandments is it written Thou
Shalt Not Bring A Fuck Along? Huh? Tell me that!
PHILLIP
Oh
boys?
BARRY
It's
something that's understood, that's all.
DANNY
By
who? Just because you can't get a root doesn't mean everyone else has to
be deprived of one!
DOUGIE
I
think this is becoming quite tacky.
BARRY
Me,
can't get a root? Get real you great queen!
DANNY
And
if our Monday nights are so bloody precious then who the hell is that?!
HE POINTS TO COLIN WHO HAS BEEN SITTING QUIETLY IN THE BACKGROUND
DOUGIE
He's
with me.
DANNY
So
it's alright if she brings something along... Look, I don't want to talk
about this anyway. I'm busy having a relapse if you don't mind. And where's
my fucking drink?!
GERALD
Sorry
Danny. It's right here.
HE HANDS HIM THE DRINK WHICH IS ALMOST FINISHED
PHILLIP
Well,
it looks like we're off to a great start, this evening, girls. I knew it
was gonna be like this. I could smell it in the air.
DOUGIE
That's
your body odour talking, dear.
GERALD
When
are we going to eat? I'm so hungry I could chew the crotch out of a dead
sheep!
BARRY
Where'd
you get that one from, Geraldine? Your mother?
ALAN
I
think we might wait until Danny's recovered, don't you Gerald?
GERALD
Oh,
sure, sorry. Okay.
DANNY
I
almost lose my life and all Geraldine here can think about is sheep!
DANNY GOES TO THE BAR AS EVERYONE SETTLES DOWN
BARRY
Phyllis,
I think maybe we can call the restaurant and tell them we'll be a little
late, don't you?
PHILLIP
Sure.
Alan, I'll use the phone in the bedroom.
ALAN
Go
ahead.
PHILLIP GOES INTO THE BEDROOM.
DOUGIE
I
think we could all do with another drink, don't you?
DOUGIE GOES TO THE BAR AND STARTS POURING OUT DRINKS.
DANNY
So,
tell me Dorothy, who's your friend?
DOUGIE
Eyes
off, queen. His name's Colin. So glad to see you've recovered.
DANNY
'Tis
but a momentary lapse. Any moment now I may slip into a coma and then you'll
all be sorry.
BARRY
Sorry
that it didn't happen sooner.
DANNY
Feeling
a little toe-ee are we, Barry?
BARRY
Well
at least I wasn't roughed up by trade.
DANNY
He
wasn't trade, idiot.
ALAN
Given
half a chance.
DANNY
Stay
out of this, Lana. Beulah's on a bender. You know what she's like when
she's got a bee in her box.
GERALD
I
thought that was bonnet.
DANNY
Don't
correct me. I know exactly what I'm saying.
BARRY
Of
course she always knows what she's saying. Even when she doesn't.
PHILLIP RE-ENTERS.
PHILLIP
Bad
news, girls. The restaurant says they can't hold our booking. They've got
a bus load of school kids eager to be fed.
DOUGIE
This
is outrageous. Giving our table to a bunch of snotty-nosed brats. God I
hate kids. Thank God I'm never going to have any.
BARRY
The
world can rest easy then?
PHILLIP
Well
it looks like we have to find another place to eat. Any suggestions?
GERALD
Jesus.
PHILLIP
Is
that a place you know well, Geraldine?
GERALD
I
am starving.
BARRY
So
what else is new? Well, I'm all for French.
DOUGIE
Is
that supposed to be a revelation, dear?
PHILLIP
I'd
like Mexican.
DOUGIE
Chinese.
ALAN
Thai.
DANNY
Greek.
BARRY
Okay.
So we're after a Chinese Thai Mexican who likes French with a bit of Greek
thrown in.
PHILLIP
Sounds
like a versatile date, doesn't it?
DOUGIE
Geraldine,
what's your fancy?
GERALD
I'm
easy.
BARRY
That
wasn't the question.
PHILLIP
Danny,
are you over your crisis?
DANNY
Give
me an hour.
GERALD
Another
hour? Jesus. I need another drink. Colin, can I get you another one?
ALL
Yes,
thanks, Geraldine.
DANNY
[GOING
OVER] Well it's nice to meet you, Colin. [PAUSE] Hey doesn't he look like....
PHILLIP
We
know.
DANNY
Well
it'll be nice to have someone new around, anyway. Instead of the same,
tired old faces and I do mean tired.
DOUGIE
And
we do mean old!
DANNY
Oh!
Dorothy...I just remembered something a little birdie told me.
DOUGIE
[REFERRING
TO BARRY] You mean a large, overstuffed turkey! What did you do? A letter
box drop or something? Does everyone has to know?
DANNY
Beulah
didn't tell me a thing. Just like you Dorothy I have my own reliable sources.
PHILLIP
We
know. Only hers took the colour out of my tie.
DOUGIE
Are
you still moaning about that?
BARRY
Moans
any chance she can get!
PHILLIP
But
mostly when they're taking a swab.
BARRY
Ugh.
You're disgusting.
DANNY
You
mean they already know about the phantom dick episode?
PHILLIP
'Fraid
so, honey-child.
GERALD
Do
we have to keep going on about it?
DANNY
How
tedious. That was going to be the best story for the evening.
PHILLIP
Then
why were you going to tell it now?
DANNY
Dear
heart, I have been assaulted. My bearings are way off. Forgive me but I
am only a mere mortal.
BARRY
So
she finally admits it.
DANNY
Barry,
precious, I am quite able to admit my faults. It is such a pity that others
cannot follow suit and be humble instead of practically opening stigmatic
wounds with a holier than thou disposition.
DOUGIE
You've
been reading books again, haven't you pet?
PHILLIP
Here
we go again.
BARRY
Why
don't we give it a rest? Colin's going to think that we're nothing but
a pack of rabid queens.
GERALD
He
wouldn't be far off the mark.
COLIN
Sorry?
DOUGIE
Never
mind, honey. Pay no mind to these heathen bitches.
PHILLIP
Right.
DOUGIE
They're
only jealous.
ALL
Right.
GERALD
Have
we decided where we're eating?
ALAN
No.
Not yet.
GERALD
Shit.
PHILLIP
Let's
not ruin the whole night. How about the Balkan?
DOUGIE
Sounds
good to me.
GERALD
And
me.
BARRY
Same.
DANNY
Likewise.
PHILLIP
Get
your wraps, girls. Let's move it out.
BARRY
Don't
you love it when Phyllis gets Joan Wayne all of a sudden.
GERALD
Three
hundred dollar dresses on wire coat-hangers!
BARRY
That's
Joan Crawford, you dumb bitch! Dorothy, we'll take yours and Geraldine's
car. I don't think our frail Miss Dee Dee is up to driving in her condition.
DOUGIE
Oh,
thank you, Beulah. A woman's work is never delegated.
THEY ALL START TO MOVE TOWARDS THE DOOR
ALAN
I'll
just be a moment. Meet you out the front.
THEY EXIT. ALAN STANDS THERE FOR MOMENT. HE THEN GOES ACROSS TO THE COFFEE TABLE AND PICKS UP THE PHOTO OF MICHAEL AND LOOKS AT IT FOR A MOMENT. PHILLIP STANDS IN THE DOORWAY AND WATCHES HIM UN-NOTICED. ALAN TURNS AROUND AND SEES PHILLIP.
ALAN
I...uh....forgot
something.
PHILLIP
It's
alright.
ALAN
It's
just...that....it's been a while, you know. I don't know if I'm......
PHILLIP
Things
get in the way, that's all. You'll be alright.
ALAN
It
just doesn't seem right, you know. Him not being with us. He should be
here.
PHILLIP
Yes.
ALAN
I
mean...I thought it was suppose to get easier. They say it does. But when
does it happen? When do I stop hurting?
PHILLIP
You're
not suppose to stop, honey. That's how we remember them. Because we still
hurt. But it does get easier.
ALAN
I...uh....[HE
STARTS TO CRY] miss him, Phillip. I really miss him. All tonight is, is
a reminder, that he's not here. I want him home again. With me. I want
him here.
PHILLIP
[COMFORTING
HIM] I know. It's alright, baby. It's alright.
ALAN
Oh
shit. Shit, shit, shit.
PHILLIP
You
gotta move on, honey. You gotta move on.
ALAN
I
know. [COMPOSING HIMSELF] I'm okay. Thanks.
PHILLIP
Don't
worry about it.
THE SOUND OF A CAR HORN IN THE STREET
PHILLIP
We
better go. Geraldine's gonna have a child if we don't get some food into
her soon.
ALAN
I'll
be right there.
PHILLIP GOES TO EXIT
ALAN
Phillip?
PHILLIP TURNS TO HIM
Thanks.
PHILLIP
What
can I say? I'm a saint. [HE SMILES] I'll see you downstairs.
HE
EXITS. ALAN STANDS THERE FOR A MOMENT WATCHING HIM AS HE LEAVES.
HE TURNS AND LOOKS AT THE PHOTOGRAPH ONCE MORE. THERE IS ANOTHER CAR HORN.
THE LIGHTS START TO DIM AROUND ALAN AS THE SOUND OF WAVES COMES UP. A SMALL
SPOT COMES UP ON MICHAEL'S PHOTOGRAPH
BLACKOUT
ACT
TWO
SETTING IS AS BEFORE. TWO HOURS LATER. THE DOOR BUSTS OPEN AND ALAN STORMS IN, GOES TO THE BAR, POURS HIMSELF A LARGE DRINK THEN GOES STRAIGHT TO THE BEDROOM. AFTER A FEW MOMENTS THE REST OF THE GROUP ENTER WITH THE EXCEPTION OF COLIN. PHILLIP SITS ON THE SOFA AS DOES DOUGIE. BARRY SITS ON THE CHAIR DOWNSTAGE LEFT; DANNY ON THE CHAIR DOWNSTAGE RIGHT. NO-ONE SPEAKS. DANNY GLARES AT BARRY. GERALD GETS UP AND GOES TO THE DRINKS TABLE TO POUR HIMSELF A DRINK. HE DROPS A GLASS. EVERYONE STARES AT HIM. HE BECOMES VERY NERVOUS AND STARTS FUMBLING WITH THE BOTTLES. HE GOES TO SIT BETWEEN PHILLIP AND DOUGIE ON THE SOFA. GERALD STARTS TO SLURP HIS DRINK. THEY ALL GLARE AT HIM. HE PUTS THE DRINK DOWN. PAUSE. GERALD BURPS AND SMILES. THEY ONCE MORE STARE AT HIM.
GERALD
Sorry.
ALAN WALKS OUT OF THE BEDROOM. THEY ALL WATCH HIM AS HE GOES TO THE DRINK TABLE, GRABS THE BOTTLE AND GOES BACK INTO THE BEDROOM.
GERALD
Did
you enjoy your meal, Danny?
DANNY
Shut
up, Geraldine.
GERALD
Sorry.
[PAUSE] I did. That veal was really nice. I don't think I've ever had such
a nice piece of veal. The way they cook it there is really good.
I could eat there every night if it was cooked like that all the time...
ALL
Shut
up, Geraldine!
DANNY
Jesus
Christ! It's a pity someone doesn't staple gun your mouth shut.
PHILLIP
Always
running off at the mouth.
BARRY
Your
brain stops working but you keep right on flapping your gums.
DOUGIE
Trust
Geraldine to stuff up an evening for us.
PHILLIP
Maybe
she should be put down.
DANNY
Why'd
you have to keep bringing it up?
BARRY
We
were all having such a good time.
PHILLIP
Send
her off to the pound.
DOUGIE
Always
manages to put her foot in her mouth.
PHILLIP
Foot
in mouth disease.
BARRY
Terminal
brain dead.
GERALD
It's
not my fault.
BARRY
Then
it must be ours. How silly of us not to have realised.
DANNY
Constantly
harping on about Michael. "Oh boy, remember when Michael said this....remember
when Michael said that. Gee....Michael used to like this dish."
BARRY
& DANNY
Dickhead!
DOUGIE
No
wonder Colin left.
PHILLIP
Don't
blame that on Geraldine.
DOUGIE
Why
not? She started it all.
BARRY
No
she didn't. You did when you started carving up Colin's steak for him.
PHILLIP
Kept
on correcting the way he talked and everything. The man's not a baby, you
know. He may be a little deaf but you're a lot stupid!
BARRY
Like
a little pit bull barking at his heels all bloody night! If I was him I
would've smacked your gums in.
DOUGIE
Don't
you talk! You and Danny were at it all night as well.
DANNY
We
were not! And even if we were, I didn't start it.
BARRY
No?
Then I suppose I was the one who kept on about the waiter's nice arse,
loud enough for every man and his dog to hear?
DANNY
He
did have a nice arse.
BARRY
Who
gives a shit!
DANNY
Just
jealous because your arse looks like a lunar landscape.
BARRY
The
big thing in my life isn't worrying about how my arse looks to everyone.
Unlike some I could mention, mine doesn't get that much exposure.
DANNY
Not
for lack of trying I can tell you.
BARRY
My
life doesn't revolve around being the biggest sleaze bag to walk down Oxford
Street. I don't spend half my existence on the most mundane of hobbies.
There are more important things watching stupid bloody fish swim around
in tanks.
DANNY
Don't
you dare!
BARRY
Stupid
bloody fish!
DANNY
I'm
warning you, queen.
BARRY
Who
in their right mind would buy an eighteen thousand dollar fish.....
DANNY
You
smart arse!
BARRY
And
then go and call the fucker Spiro!
DANNY
You
killed him!
BARRY
I
didn't kill him! It was suicide. The fish took one look at you and thought
"I can't live with this rancid old hag...let me die!" So he tried to top
himself.
DANNY
Murdering
fuck....
BARRY
And
I don't blame him. The thought of going through life with a bitch like
you wouldn't be attractive to a deaf, dumb and blind mutant!
PHILLIP
Well,
they've lifted this argument.
DANNY
You
hated Spiro so you killed him!
BARRY
Dry
that one out and you could fertilise the lawn!
DANNY
You
always were a hateful and spiteful old bitch.
GERALD
Listen,
guys...
BOTH
Shut
up, Geraldine!
BARRY
To
think I put up with you for six years.
DANNY
The
best six years you've ever had
BARRY
Keep
telling yourself that, honey, and see if YOU buy it!
DANNY
The
things I did for you. The sacrifices I made.
BARRY
Oh
really?
DANNY
Yes
really.
BARRY
Name
one.
DANNY
I
gave up my career for you.
BARRY
You
were working at Woolworths!
DANNY
I
was on my way up !
BARRY
What
to? Smoked meats?
DANNY
It
wasn't just smoked meats! They offered me management opportunities.
BARRY
Well
thrillsville!
DANNY
But
I gave all that away for you. What have you ever sacrificed for me?
BARRY
Just
my sanity.
DANNY
You'll
have to refresh my memory to what that was like, dear. You lost that a
long time before you decided to make MY life a misery.
BARRY
I
should have left you in the Deli Bar where you belonged. Amongst all the
dead meat and stuffed olives.
DANNY
Well,
anything's better than being stuck with a dried fruit! I don't know how
Phyllis puts up with you.
PHILLIP
Well,
I just stick my head in a bucket....
BARRY
Keep
out of this, queen! [TO DANNY] He puts up with me because he isn't a petty
little twerp! He doesn't bleed from the eyeballs just because the washing
up hasn't been done!
DANNY
At
least I DID the housework!
BARRY
Well,
chain me to the fucking wall! I'm sorry but there are more important things
than armpits full of soap suds. You loved playing the little housewife
so don't come the Helen Reddy with me, dear.
DANNY
The
only thing you were good for is moving the furniture in the middle of the
fucking night!
DANNY THROWS HIS DRINK IN BARRY'S FACE.
PHILLIP
Funny
you should bring that up...
BOTH
Fuck
up, Phyllis!
BARRY SLAPS DANNY IN THE MOUTH. THEY START FIGHTING. THE OTHERS JUMP IN TO BREAK IT UP. THEY ALL TURN TO SEE ALAN STANDING IN THE DOORWAY
BARRY
Oh,
hi honey.
DANNY
We
were....just having a little chat
BARRY
That's
right. A little chat.
PHILLIP
How's
it going?
DOUGIE
Has
YOUR headache gone?
ALAN
I
guess.
GERALD
Did
you enjoy dinner?
THEY ALL LOOK AT GERALD
ALAN
Yes,
it was good, thanks.
GERALD
That's
good.
ALAN
Look
guys, I'm sorry if I'm spoiling everyone's night.
PHILLIP
You
aren't.
DOUGIE
Of
course not. Even if my sex life took a bit of a tumble for the night [SNEERING
AT GERALD] it certainly wasn't your fault.
DANNY
That's
right. Dorothy's sex life doesn't need any help. It's already stuffed up.
BARRY
Yes
and Danny didn't mean to be nasty and bitter tonight. It's just the way
she is. You know that.
DANNY
Thank
you for explaining it so well, Beulah.
GERALD
Are
we still going dancing?
BARRY
After
the coffee, Geraldine. That's how it's done, remember?
GERALD
Oh,
yes. I forgot.
PHILLIP
Dougie...come
and assist.
DOUGIE
That's
right, bitch. Wait till I'm really comfortable then make me get up.
THEY BOTH GO INTO THE KITCHEN
ALAN
I
really don't feel like going out dancing tonight.
BARRY
Well,
just stand there and try to look fashionable.
ALAN
I
don't think....
DANNY
I
thought we'd covered this.
BARRY
We
have.
DANNY
You're
coming whether you like it or not. We don't break up the party till the
evening's over.
GERALD
I'm
really tired.
BARRY
No,
you're not.
GERALD
Oh,
I thought I was.
BARRY
You
don't know what you're saying half the time.
DANNY
Try
all the time.
ALAN
Don't
take any notice of them, Gerald.
ALAN SITS ON THE CHAIR DOWNSTAGE RIGHT
GERALD
I
never do.
BARRY
Maybe
if he listened to us then he wouldn't say so many dumb things.
GERALD
I
don't say dumb, things. [PAUSE] Much.
BARRY
I
rest my case.
GERALD
I
never said I was smart.
PHILLIP AND DOUGIE ENTER FROM THE KITCHEN
DANNY
Good.
It's against the law to false advertise.
GERALD
You
guys always treat me like an idiot. I can't help it if I'm not as bright
as you lot. You've all got degrees and things like that and I'm just a
stupid air steward. I know. You don't have to keep ramming it down my throat
all the time. You think it's real easy for me. You think I go through life
and I'm happy in my own stupid world because there's nothing hard about
it. Well you're wrong. I hate my life. I hate my shitty job. I hate the
people I work with and I hate not knowing anything that anyone would want
to hear. But I can't help that. I want to be smart but nothing stays there.
I hate having to listen to you guys talking, using words I don't even understand.
I know you think I'm a joke. But I'm not. You've all got each other to
talk to when you get upset. But who's gonna listen to me when I'm upset?
I'll tell you who. No-one. That's who. Because I'm the one you always laugh
at. I'm the village idiot. You guys treat me just the same way my parents
did. At least I could move away from them but if I move away from you lot
then I've got no-one and that scares me. I just don't want to feel like
a jerk all the time.
ALAN GETS UP AND PUTS HIS ARM AROUND HIM
ALAN
I
don't think you're a jerk, Gerald.
GERALD
No?
ALAN
I
think you're alright.
GERALD
Am
I?
ALAN
You
certainly are. I sometimes think you're better than any of us put together.
GERALD
Thanks.
PHILLIP AND DOUGIE LOOK AT EACH OTHER, BURST OUT LAUGHING THEN RUSH BACK INTO THE KITCHEN.
Maybe I should try and get another job. I hate having to be friendly to people I can't stand. Someone's always whingeing about this or that. Some yobbo's always getting pissed and throwing up all over the floor and ya' gotta smile all the time your hands are covered in puke while you clean it up. I should just throw a rag at them and tell them to clean it up, themselves. Maybe I will. Next time some dickhead from an arsehole football team decides to heave their guts up I'm gonna push their faces into it. I'm sick of being a doormat. No more. They can find some other schmuck to do the dirty work.
ALAN
Good
on you.
GERALD
Yep.
That's what I'm gonna do. And I'm gonna stick to my guns too. "You get
on your bloody knees and clean it up yourself, you great turd brain!"
ALAN
Now
you're talking.
GERALD
"You
get on your knees before I thump your lights out!"
ALAN
Good.
GERALD
"Get
that scrawny pimple covered arse out of your seat and get down there amongst
the chuck where you belong."
ALAN
You
can do it!
GERALD
No
more Mr Nice Guy. From now on it's Mr Get Fucked the Lot Of You.
ALAN
Yes!
GERALD
"I'm
not your bloody slave! All you hatchet faced old twats are gonna have to
beg before I put myself out again."
ALAN
That's
the spirit.
GERALD
Yep.
That's how it's gonna to be from now on!
ALAN
Well
done.
GERALD
Unless........they're
old or something. That's different Or they're babies. I mean, they can't
help it, can they? You gotta help then.
ALAN
Right.
GERALD
And
the handicapped, of course.
ALAN
Of
course.
GERALD
I
mean, who's gonna help them if you don't? You can't leave them sitting
in the middle of the aisle, can you? And then there's people who've never
been in a plane before. They can get pretty frightened. Especially in turbulence.
And they can get sick, can't they? So you gotta help them. And some people
are really quite nice so it doesn't hurt to be friendly back, does it?
I mean some of them have had a bad day so they need to relax so you gotta
be a bit happy or they complain a lot and you don't need that. But if anyone
tries to hassle me I'll tell them exactly where to go. Yep, that's what
I'll do. Next flight I'm on it's gonna be the new me. And look out anyone
who gets in my way.
PHILLIP AND DOUGIE ENTER WITH THE COFFEE
BARRY
I
swear, Geraldine, you're a regular tower of inspiration.
DANNY
A
Rock of Gibraltar.
DOUGIE
A
pillar of shit!
DOUGIE TRIPS
DOUGIE
Shit.
BARRY
Oh,
dear, Dorothy, try to keep your ballast on an even keel, girl.
PHILLIP
[JIMMY
STEWART] Well here's the coffee, girls. Now who wants to marry me?
HE PLACES THE TRAY ON THE COFFEE TABLE
What's Geraldine barking about now?
BARRY
She's
lost the plot again.
PHILLIP
And
that's something new?
DANNY
For
her, no.
DOUGIE
Miss
Doormat 1991.
GERALD
Maybe
I should get an analyst.
BARRY
Anything
less than major surgery will be useless.
ALAN
Just
be who you are, Gerald. Anything less would be a disappointment.
BARRY
Oh,
a joke. What's the definition of disappointment?
PHILLIP
What?
BARRY
Being
fucked all night by a man with a three inch dick and being kissed goodbye
in the morning with a seven inch tongue.
DANNY
Ugh.
DOUGIE
You
can take the girl out of the western suburbs...
ALL
But
you'll never take the western suburbs out of the girl.
BARRY
Thank
you.
GERALD
Where
are we going dancing?
PHILLIP
Where
else? The Shift, of course.
DOUGIE
We
could always go to the Exchange.
BARRY
None
of us possess that much slashed clothing.
DANNY
Why
in God's name, would we want to go there?
GERALD
Men.
DOUGIE
We
don't always have to go to the same place, you know.
GERALD
That's
right. We could go somewhere different.
PHILLIP
You
seem very eager to buck the system tonight, Geraldine.
DANNY
Watch
your language.
GERALD
No
I'm not.
DOUGIE
I
think she's right. The Exchange sounds good to me.
BARRY
Well
it would, wouldn't it? But the last thing I want to do is hang around a
bunch of kiddies and their fag hags. If we're going for a dance then I
want to make sure that half the men in there have had their balls drop.
PHILLIP
Same
here. Call me old fashioned but I do like to insist that they at the very
least have pubic hair.
ALAN
Preferably
their own.
DANNY
It's
not like the old days where a man's bar MEANT a man's bar and not some
hangout for spotty-faced, acne-ridden dolly birds.
BARRY
When
the music had a chorus you could lip sync to.
PHILLIP
Where
is Gloria Gaynor when you need her?
BARRY
Every
time you go on the dance floor these days some total spastic is doing a
bit of performance art and everyone thinks they're with you.
PHILLIP
Or
some big girl is swinging her arms around trying to decapitate anyone who
gets into her flight path.
BARRY
Speaking
of which. Have you noticed how everyone's into fisting these days?
DOUGIE
That's
right. And they're so proud of it. It's like they've just sponsored an
African child or something.
DANNY
Beware
of tan lines up to the elbows, I say.
THE OTHERS LOOK AT HIM IN MOCK DISGUST.
BARRY
Where
are the real men these days?
DANNY
Present
company excluded of course.
ALL
Of
course.
PHILLIP
Flannelette
shirts.
DOUGIE
White
T-Shirts.
DANNY
501's.
GERALD
Five
o'clock shadow.
ALAN
Nice
moustache.
BARRY
A
real clone.
PHILLIP
Lovely
big hands.
DANNY
Hairy
chest .
DOUGIE
Big
Pecs.
ALAN
Massive
thighs.
BARRY
A
little hair on the back.
PHILLIP
Whoa!
Ride 'em, cowboy!
ALAN
Really
sweaty.
GERALD
Beautiful
clear skin.
DANNY
Just
a little attitude.
BARRY
Dark
eyes.
DANNY
Strong
jaw.
PHILLIP
Juicy
kissable spongy lips.
GERALD
Big
hanging balls.
BARRY
Like
duck eggs.
DOUGIE
An
arse you could cut your teeth on.
DANNY
And
a HUGE dick!
ALL
Arrgh!
THEY ALL SWOON
BARRY
Honestly.
Anybody'd think we were all sex starved.
PHILLIP
We
are.
DOUGIE
I
feel like howling at the moon sometimes.
DANNY
At
least you're getting it.
DOUGIE
You
think so?
PHILLIP
Aren't
you?
DOUGIE
Nope.
BARRY
What
about Colin? I thought he was suppose to be the great love of your life.
DOUGIE
He
IS the great love of my life. He just ain't the big lump in my bed.
DANNY
Why
not?
DOUGIE
Because
I haven't slept with him yet.
GERALD
You're
kidding.
DOUGIE
Nope.
GERALD
Shit.
I'd sleep with him at the drop of a hat.
DANNY
You'd
sleep with anybody. With or without a hat.
DOUGIE
We
have a much deeper relationship. One that doesn't need sex to fulfil it.
PHILLIP
You
mean he's got a small dick.
DOUGIE
No,
of course he hasn't.
DANNY
He's
probably hung like a budgie.
GERALD
I
don't know why everyone worries about the size of someone's dick. Size
ain't that important.
PHILLIP
That's
rich coming from Princess Teeny Meat, herself.
GERALD
Why
are all gay guys obsessed with the size of each other's dicks?
BARRY
You
tell 'em, needle-dick!
DANNY
Listen,
it ain't all gay guys but if it's alright for yobbo straights to talk about
women's tits then we can talk about the size of someone's schlong.
ALAN
You
know what they say. It's not the quantity. It's the quality.
DANNY
The
person who invented that saying must have been a bug fucker!
DOUGIE
Look,
it's not that so just shut up. I don't want to talk about it.
BARRY
Why
not?
DOUGIE
Because
he doesn't want to sleep with me, okay?
BARRY
Why
not?
DOUGIE
How
the hell should I know!
DANNY
Well
you certainly GIVE the impression you're sleeping together.
DOUGIE
Yeah,
well...
BARRY
What's
the matter?
DOUGIE
Nothing.
BARRY
Yes
there is.
PHILLIP
You
know better than to keep something from us.
DOUGIE
I'm
not keeping anything from anybody.
DANNY
No?
DOUGIE
No!
BARRY
She's
lying.
DOUGIE
[YELLING]
Alright, I'm lying! Now can we drop the subject, thank you very much!
THEY ALL LOOK AT EACH OTHER THEN AT HIM.
ALL
Ooooh!
ALAN
Anyone
for more coffee.
BARRY
We
should get going.
THEY ALL GET UP TO LEAVE
GERALD
Are
we taking the cars?
DANNY
No,
Geraldine. You're walking.
ALAN
Listen,
guys. I really don't feel like going dancing.
PHILLIP
Here
we go again.
BARRY
Then
what do you plan on doing?
ALAN
I
thought I might stay in.
DANNY
Why?
ALAN
I've
got to get up early tomorrow and.....
PHILLIP
No
he doesn't. It's his day off.
BARRY
Then
what's the problem?
ALAN
I
just don't feel like going out.
DANNY
That's
not a good enough excuse.
PHILLIP
Tell
them the real reason you don't want to go out.
ALAN
Don't
keep putting me on the spot Phillip.
PHILLIP
Why
not? You're not just letting us down. You're letting yourself down as well.
BARRY
Is
this about Michael?
ALAN
I...uh..
PHILLIP
Of
course it is.
DANNY
Stop
talking crap. It's been six months now.
BARRY
Leave
him alone.
DANNY
Well
it's true. He can't stay here in the flat for the rest of his life. You've
got to go out again eventually anyway so why not get it over with?
BARRY
I
said leave him alone.
DOUGIE
Danny's
right. You should go out and meet people. You might find someone new.
ALAN
I
don't want to find someone new.
GERALD
What's
the hurry, anyway?
PHILLIP
You
want to go through the rest of your life until you become one of those
queens that gets to about sixty and find they haven't got anyone to share
anything with. Is that what you want?
ALAN
Of
course not .
PHILLIP
Because
that's what's going to happen. You're gonna end up with nothing and no-one.
Just a bunch of faggy friends and nothing else.
GERALD
What's
wrong with that? We're not so bad.
PHILLIP
You
want to just stay in your little world and vegetate and think about how
wonderful Michael was and how everything used to be so perfect for both
of you. Well let me tell you, Michael wasn't that wonderful at all.
BARRY
Shut
up Phillip.
PHILLIP
No,
you shut up Barry! It's about time he knew instead of living in his little
dream world.
ALAN
What
are you talking about?
PHILLIP
I'm
talking about Michael. You talk about him like he was a saint but believe
me, he was no saint. Take our word for it. If you knew what he was really
like you wouldn't be so precious.
DANNY
I
think you've said enough Phillip.
PHILLIP
I
haven't said half of what I should have said a long time ago. It was bad
enough when Michael died but what you're doing is worse. You had no idea
what Michael was like when you weren't around. He told me things...
BARRY
Don't
listen to him, Alan.
ALAN
What
things?
DOUGIE
Oh,
shit.
DANNY
I
don't think this is quite the......
PHILLIP
That
he wanted out. That the only reason he stayed with you was because he got
sick and everyone knows as soon as that happens friends disappear. He was
frightened of dying alone, Alan. He fell out of love with you long before
he started going downhill.
ALAN
He
never said anything.
PHILLIP
Why
would he? He had it made. He had a stable home life and he could still
manage to screw around left, right and centre.
ALAN
How
do you know that?
PHILLIP
I
know because I slept with him!
THE OTHERS LOOK AWAY
ALAN
What?
PHILLIP
That's
right. I slept with him. Two years after you started going out. Once. I
was drunk. What can I say? But that never stopped him putting the hard
word on me for the rest of his life. Only don't think I'm the only one
in our happy little band who did. Geraldine did as well.
GERALD
That's
not true!
BARRY
Yes
it is.
DANNY
It
is so, Gerald. He told me as well.
GERALD
Oh
shit. Alan, I didn't mean to. It was a long time ago. Four years.
BARRY
Does
it matter when?
GERALD
It
wasn't my fault. He was the one who wanted to do it.
DOUGIE
And
you just had to oblige him.
GERALD
He
said he's always been after me. Even before he met Alan.
PHILLIP
He
only wanted to know if you were as bad in bed as everyone said. He told
us all what a joke it was.
ALAN
I
can't believe it. It's not true.
PHILLIP
It
is. We all knew he was sleeping around. The only person that didn't know
was you.
ALAN
[TO
OTHERS] Is that true? You all knew?
THEY ALL SAY NOTHING
PHILLIP
Why
would I lie about something like that?
ALAN
Why
would he tell you and not me?
PHILLIP
He
couldn't talk to you. He told me straight out. You always avoided confrontation.
Whenever he was wrong it would always be you that apologised.
ALAN
I
don't like fighting.
PHILLIP
That's
all very well but you did nothing. You let him walk all over you and he
hated you for it.
ALAN
I
don't want to hear this.
ALAN TRIES TO LEAVE BUT PHILLIP DRAGS HIM BACK VIOLENTLY. THE OTHERS JUMP UP.
PHILLIP
Why?
Because I'm telling you the truth?
ALAN
No,
you're not.
PHILLIP
We
all know how much you loved him. That's obvious.
ALAN
Why
are you doing this to me?
PHILLIP
I'm
doing this because I love you. You're my friend. All I'm saying is don't
stop living just because he has. You never really knew him. And now it's
like you're chasing some kind of phantom.
ALAN
I
feel like I've been betrayed. Used.
PHILLIP
What's
all this "used" bullshit? You loved him so you got something out of it.
Most people never get the chance to love anyone. They go through life with
nothing and they die with no-one.
DANNY
Or
they become a flight steward.
ALAN
And
that's supposed to make me feel better?
PHILLIP
I'm
not trying to make you feel anything. I'm just trying to make you understand.
ALAN
I
thought we were friends.
PHILLIP
We
are.
ALAN
Hah!
A friend would have told me what was going on behind my back. They wouldn't
have kept things from me.
PHILLIP
And
achieve what? You tell me, huh. What good would it have done? Do you think
that would've made it easier for you? Don't kid yourself.
ALAN
It
might have.
PHILLIP
No!
That wasn't our job. If Michael didn't tell you then it had nothing to
do with us.
ALAN
Oh,
so now all of a sudden you're supposed to decide what I should and shouldn't
hear?
PHILLIP
Meaning
what?
ALAN
Well,
any other time that this group has any dirt then we all hear about it.
Was this any different?
PHILLIP
Look,
it doesn't matter! So he was sleeping around a bit. Who cares now! Just
stop talking about him and remembering him like he was a god or something
because he wasn't. Get on with it.
ALAN
[SCREAMING]
Why does everyone insist on me getting on with it? Why is it such a rush?
I didn't know it was written anywhere that I had to stop grieving at a
certain time. I miss him, you selfish bastards. Okay? I miss him! And you...you
lot are all telling me I'm chasing phantoms. Well, so fucking what! He's
still the person I loved....
THE SOUND OF WAVES STARTS TO FADE IN AS THE LIGHTS DIM ON TO ALAN.
He's still the person I slept with for nine years. He's still the one I washed down after he got sick and he's still the one that groaned and died in my arms so don't any of you tell me I didn't know him! Because he was all I had! Just take a look at your own fucking pathetic lives before you start ruining mine!
A SPOT COMES UP ON MICHAEL
MICHAEL
Why
didn't you fight me?
ALAN
No!
MICHAEL
You
never even tried.
ALAN
Why
should I? What good would it have done?
MICHAEL
It
would have stopped me.
ALAN
No
it wouldn't.
MICHAEL
If
you had said just once "Michael, don't do this" I might have respected
you a bit more.
ALAN
How
would that have made a difference?
MICHAEL
It
might have done.
ALAN
To
you. But you were always thinking about yourself. Never once did you consider
my feelings.
MICHAEL
That's
not true.
ALAN
No?
Did you ever tell me you loved me?
MICHAEL
Yes.
ALAN
Years
ago!
MICHAEL
It....it
doesn't matter.
ALAN
[CRYING]
No, you're wrong. It does. To me. I thought we were happy. I thought we
were gonna be together for the rest of our lives. You made me believe that.
You made me think that you were always gonna be there when I got home.
But you lied to me. You betrayed me.
MICHAEL
No.
ALAN
Yes.
I put up with all your shit for years. I let you walk all over me because
I didn't want us to end. But you left me. Why? Why did you have to go and
get sick? If you'd stayed with me and didn't go screwing around you'd still
be here. We were always careful. Weren't we? We did everything the way
we were suppose to. Why didn't I get sick? Why am I the one that's left
behind? What did I do? You see, the thing is, I haven't done anything wrong.
So why am I being punished?
MICHAEL
I'm...I'm
sorry.
ALAN
And
the thing is...I should have said these things to you when you were alive.
Not now when you're dead.
MICHAEL
Yes.
ALAN
Because
now more than ever, I want you home with me. This is where you belong.
MICHAEL
Yes.
THE LIGHTS DROP TO BLACK FOR A FEW SECONDS THEN COME UP AGAIN. MICHAEL HAS NOW GONE. PHILLIP GOES OVER TO HIM AND PUTS HIS ARMS AROUND HIM. HE STARTS TO SOB. THE OTHERS LOOK AWAY. AFTER LONG PAUSE.
GERALD
So,
are we still going dancing or what?
PAUSE
ALAN
Look,
guys. I'm sorry. I didn't mean anything. I'm just tired, that's all. I
think I had too much to drink.
DANNY
No.
You're right. We can't talk. We're just as bad as everyone else.
DOUGIE
Sometimes
we're like piranhas all stuck in a big barrel always trying to tear each
other to shreds and I don't know why we do it.
BARRY
I
do. It's because we're good at it. And I guess we're used to it. You can't
get a leopard to change her spots. Sorry....Piranha.
ALAN
You
see, the funny thing is...I knew about Michael.
PHILLIP
What?
ALAN
Yep.
I knew. I could always tell when he came home what he'd been up to. Oh
I didn't know their names or anything or how WELL I knew them. I just never
said anything because you're right. I didn't want to lose him over it .
So I guess occasionally everyone gets to be a doormat. It's not that hard.
BARRY
Not
for any of us.
ALAN
So
I guess nothing really matters anyway.
PHILLIP
No,
you're wrong. You matter. That's what we've been telling you all along.
We need you here. Not living in the past. You're our stability. You may
miss him more than any of us, but baby, we all miss you and I think it's
time we had you back, don't you? Only this time we're not going to push
you. Everything when you're ready.
DOUGIE
It's
getting late. Come on Geraldine. You can drive me home.
GERALD
Aren't
we going dancing?
DANNY
She
just can't wait to get her heels off the ground.
DOUGIE
I
think we've had enough for one night don't you? Come on. You can pretend
you're my date until we get to the car park.
GERALD
What?
DOUGIE
Just
joking. Don't crack your sphincter, girl.
GERALD
Oh,
okay.
DOUGIE AND GERALD HEAD FOR THE DOOR
GERALD
See
you later, Alan. Bye everyone.
ALL
Goodnight,
Geraldine.
DOUGIE PUSHES HIM OUT THE DOOR
BARRY
I
think it's time I left too. Phyllis, you coming?
PHILLIP
I
thought I might walk a bit and then take a cab. I'll see you at home.
BARRY
Fine.
DANNY
You
could drive me home if you like.
BARRY IS STARTLED
BARRY
Are
you sure?
DANNY
Why
not?
BARRY
Okay.
But no telling me how to drive, okay?
DANNY
Promise.
[BEAT] Just don't kill me before I get to my front veranda.
BARRY
It's
a deal.
THEY KISS ALAN.
BARRY
Goodnight,
Alan. It's been a fun night as usual.
THEY EXIT
PHILLIP
How
are you feeling?
ALAN
Oh,
okay. I guess.
PHILLIP
You
had me worried there for a moment.
ALAN
I'm
sorry. I didn't mean to.
PHILLIP
Not
like it used to be.
ALAN
That
's for sure.
PHILLIP
You
want some more coffee?
ALAN
Uh...no,
thanks.
PAUSE
ALAN
How
about you?
PHILLIP
How
about me, what?
ALAN
Coffee?
PHILLIP
Oh,
none for me either, thanks.
ALAN
Okay.
PHILLIP
Listen,
Alan. All the stuff I said before...
ALAN
Look,
Phillip...it just doesn't matter now.
PHILLIP
No,
you're wrong. It does. I know he loved you in the end. That's one thing
he didn't have to tell me. And...uh...I was....jealous because you both
had something I never had.
ALAN
I
understand.
PHILLIP
I
know you do. [PAUSE] I might get going. I need some air.
ALAN
Alright.
PHILLIP GETS UP AND KISSES HIM ON THE CHEEK
ALAN
Listen,
Phillip..
PHILLIP
Yeah?
ALAN
Thanks
for tonight.
PHILLIP
That's
okay. What are friends for if they can't ruin at least one night for you.
ALAN
And...thanks
for everything else too. For always being there.
PHILLIP
I'm
a saint. Just don't go sitting around here moping all the time. Go out
and find yourself a man. [SOUTHERN ACCENT] I just think that your biggest
problem, Laura, is that you need to get laid. Not that I'm being pushy
you understand.
ALAN
Heaven
forbid.
PHILLIP GETS UP AND GOES TO THE DOOR
PHILLIP
See
you next Monday?
ALAN
See
you next Monday.
PHILLIP EXITS. ALAN GETS UP AND GOES OVER TO THE COFFEE TABLE AND SITS ON THE SOFA. HE LOOKS AT THE PHOTOGRAPH OF MICHAEL. THE BUZZER RINGS.
ALAN
[YELLING]
It's not locked Phillip.
THE
DOOR OPENS AND COLIN ENTERS
ALAN
Oh,
Colin.
COLIN
Sorry...er...Alan.
It's just that...er....I think I might have left my jacket here before
we went to the restaurant.
ALAN
Oh,
here it is. I've been sitting on it. Sorry.
COLIN
Oh,
that's alright. Look, I'm sorry I darted off earlier. I just felt like
I was a little out of my league.
ALAN
I
know what you mean. Look, don't go and judge us by tonight. We're not usually
as screwed up as all that.
COLIN
Really.
That's good to hear.
ALAN
Then
again maybe we are. Would you like some coffee? I think it might still
be warm or I can put on a fresh pot.
COLIN
Warm
coffee is fine. Thanks.
ALAN
Good.
I hate making coffee anyway.
ALAN POURS OUT A CUP OF COFFEE
Help yourself to milk and sugar.
COLIN
Oh
that's okay. Thanks.
ALAN
So,
how's the big city treating you?
COLIN
Oh,
it's okay, I guess. It's hard getting to know people here. That's why I'm
so jealous of you.
ALAN
Everyone
seems to be jealous of me this evening. I wish I knew why.
COLIN
Well,
you've got all your friends.
ALAN
With
friends like that...Look I wouldn't worry too much about meeting people.
It always takes a while to really get to know people in this city. Sometimes
it takes a lifetime.
COLIN
I'll
keep that in mind.
ALAN
Do
you miss the country?
COLIN
Sometimes.
But finally I woke up one morning and decided it was time to move on.
ALAN
Must've
been a hard decision to make.
COLIN
Not
really.
ALAN
Did
you have a lover out there?
COLIN
Nope.
When I said "small country town" I really MEANT small country town.
ALAN
Then
what did you do for sex?
COLIN
Ain't
never had it. Not with a guy, anyway. Oh, I've always been interested though.
I used to date girls but after a while they sort of put me off.
ALAN
So
that's why you haven't been to bed with Dougie.
COLIN
Did
he tell you that?
ALAN
We
kinda forced it out of him.
COLIN
He
shouldn't have done that.
ALAN
Well
if I know Dougie it's not going to take him very long.
COLIN
I
wouldn't count on it.
ALAN
Why
not?
COLIN
Apart
from the fact that he's bossy he's not the kind of guy I'm attracted to.
Not that I know what type I AM attracted to. But sometimes he can be a
real arsehole, you know?
ALAN
I
know.
COLIN
And
besides....he's too.....
ALAN
Short?
COLIN
Uh-huh.
ALAN
Well
that's gonna ruffle his feathers a bit for a start. Best if you don't tell
him. Just say to him you've got a raging case of herpes or something. Although
with Dougie, even THAT could be a turn on.
COLIN
I'll
remember.
ALAN
How's
the coffee?
COLIN
Fine.
Fine. Look...I...uh...
ALAN
Yeah?
COLIN
I'm
not too good at saying this....I... I'm really sorry about your friend.
ALAN
They
told you, huh?
COLIN
Yeah.
ALAN
Well,
that's alright. [PAUSE] Thanks.
COLIN
It
would have been terrible going like that but in a way I think he was a
lucky guy.
ALAN
Why
do you say that?
COLIN
Well,
he had you for a start.
ALAN
Thanks.
COLIN
Do
you miss him?
ALAN LOOKS AT HIM
Shit...sorry. Dumb question. Of course you do.
ALAN
That's
alright. Yeah, I do miss him. In spite of the fact that HE could be a "real
arsehole" as well.
COLIN
Are
you...ever gonna go out again? You know....meet other people?
ALAN
Oh,
eventually. That seems to be what everyone wants.
COLIN
Is
it what you want?
ALAN
Maybe.
One day.
COLIN
Good.
[PAUSE] I guess I better get going.
ALAN
Okay.
COLIN
Thanks
for the coffee.
COLIN HEADS TOWARDS THE DOOR
ALAN
Colin?
COLIN
Yeah?
ALAN
Didn't
you forget something?
COLIN
Huh?
ALAN HOLDS UP HIS JACKET
COLIN
Oh,
shit. I nearly forgot it again. Thanks. It's been real nice meeting you.
ALAN
And
you. Maybe I'll see you around.
COLIN
Oh
Yeah? When? [BEAT] Oh, sorry. I mean of course. I'll see you around.
HE GOES TO THE DOOR THEN TURNS AROUND
Alan?
ALAN
Yeah?
COLIN
Maybe...later
on in the week, we could maybe go for a drink or something? If you want?
ALAN
[PAUSE]
I think that would be nice.
COLIN
Yeah?
ALAN
Yeah.
COLIN
I'll
talk to you later. Bye.
COLIN EXITS. ALAN STANDS FOR A MOMENT, SILENT. HE THEN GOES AND SITS ON THE SOFA. HE LOOKS ABOUT THE APARTMENT THEN HIS EYES SETTLE ON THE PHOTOGRAPH OF MICHAEL. HE PICKS IT UP AS THE LIGHTS DIM TO JUST AROUND THE SOFA.
ALAN
Alright.
You've seen what's gone on tonight. No more than usual except that now
they keep telling me I've been chasing phantoms. That I didn't really know
you. But I was wondering did you really know me? I'm not so sure, the way
you think. You kept things from me that weren't worth keeping and my first
impulse is to get rid of all the things that remind me of you. [PAUSE]
But I won't. If some part of our lives together was a bit of a shambles,
well that's the way it was. I can't change anything now. And no matter
how bad it might have been I still have good things to remember you by.
HE LOOKS AT THE BACK OF THE PHOTO THEN PULLS SOMETHING OUT
Well,
what do ya' know. They're the negatives of you in your Speedos. I guess
there is a God after all.
BLACKOUT