BY STEVEN DAWSON
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Copyright © Steven Dawson 1992.
A earlier
version of The Night My Boyfriend Turned Into An Idiot
was
first performed at the Crossroads Theatre, Sydney in February 1993
with
the following cast:
| Tim | Peter Bodnar |
| Craig/Ed | Michael Butcher |
| Old Man | Steven Dawson |
| Directed by | Steven Dawson |
| Ast. Director | Alex Galeazzi |
| Designer | Terry Ryan |
| Lighting Designer | Pene Quarry |
| Stage Manager | Stephanie Dawes |
This
version presented by Silly Twisted Boys was first performed
at
the Napier Street Theatre, Melbourne on November 30th, 1994
with
the following cast:
| Tim | Tom Healey |
| Ed | Iain Murton |
| Craig | Michael Butcher |
| Directed by | Steven Dawson |
| Stage Manager | Stephanie Dawes |
THE
NIGHT MY BOYFRIEND TURNED INTO AN IDIOT
AN OPEN STAGE. SCENE CHANGES ARE ACCOMPANIED BY MUSIC FROM 50-60’s GIRL GROUPS.
Song: “I’m In Love With A Wonderful Guy.”
SCENE ONE
TIM FACES THE AUDIENCE
TIM
Okay,
so sometimes you don't see it coming. It kinda creeps up on you when you're
least expecting it at a time when you definitely don't need it. You're
out at the bars or a friend's party. You spot someone or sometimes you
don't even notice them until they're pushing a fresh drink in your hand
saying "Are you having a good time? I hate it here, don't you? What's your
name? Oh yeah?" You stand there for a few minutes then "What sort of work
do you do? Me? Oh nothing really. Nuclear physicist. Nothing as exciting
as your job with the council". You know there's some kind of sexual attraction.
Actually you know there's some major sexual attraction. You're not going
home with a schnauzer. Hopefully it's mutual. He's gorgeous. He's everything
you've ever wanted, in a primeval, sweaty, sex kind of way. Of course you
can't really say "I don't think I'll make it home to your place. How about
we fuck on the floor right here?" You'd like to but you don't. You see,
no matter what they say you're still out for one thing. Some call it romance.
We professionals call it lowering the sperm count. You think to yourself,
"Hey...he's tall, he's good-looking. He has a winning smile. What the hell's
wrong with him? Why hasn't he got a boyfriend? Maybe he's a druggie. Or
worse, he's got a small dick." You lower your eyes southwards all the while
stirring the ice in your glass so you don't appear too conspicuous. One
eye ventures 40 degrees, slightly cock-eyed, if you'll pardon the expression
and you look across for any tell-tale signs in his 501's of suspect inadequacy
or downright deformity. The results are pleasing to the eye so your gaze
returns North. At about the same time as his, you discover. You blush and
laugh. "Ha-ha-ha." He speaks. "Would you like to come home?" "Sure...but
just for the coffee." Yeah...right. You arrive at his place. No sign of
coffee. You know he’s gonna want to kiss you but you really need to brush
your teeth. You don't have a brush so you excuse yourself to the bathroom
and start sucking on the toothpaste tube, rubbing it onto your gums with
your finger. You sashay back to him and he's already undressed so you have
to do your "two-o'clock in the morning, I'm nearly pissed but I'll take
my clothes off slowly and sensually" show. Just like Jeff Stryker does
in that what-ever-it-is film that you can never remember the name of, as
if it mattered because you're always dropping the remote in between freeze-framing,
fast-forwarding, juggling the amyl and the lube during the best bits. You
move to the bed in a hopefully not too relaxed state so he doesn't think
he's gone to bed with some kind of limp dick and then you run the full
gamut of your sexual talents. Five minutes later you move to your side
of this particular bed. He's "okay" to "fabulous" in the cot only because
you were absolutely "marvey" as well and let's face it.....inspired. While
you're both lying there, post coital as it were, you start to look around
the room and your eyes start to pick up on things here and there. The odd
Barbra Streisand print you noticed in the loungeroom has, in the bedroom
turned into a full blown homage to the super-shnozzed one. But you ignore
that. Things could be worse. He could smoke in bed and burn you both to
the lime green shag-pile. He shocks the life out of you by asking you if
you want to stay the night. You get to like him a little better and a little
longer in the morning. But you have to go. Can you exchange numbers? He
probably doesn't call but a couple of nights later you run into him again
in a chance meeting at the same bar or whatever and again he asks you home.
Five casual chance meetings later you know you've been beached, hook, line
and sinker. One minute you're humping your brains out, the next you're
picking patterns for shelf paper together at Mitre 10. And then you’ve
only got yourself to blame. Now someone's gonna have to tell me how you
make yourself immune to falling in love. I guess it boils down to being
either the emotional victim or the emotional hunter. But when it comes
to l’amour, well, the final capture is never as exciting as the thrill
of the hunt. Now that's my excuse for avoiding it. What's yours?
BLACKOUT
SCENE
TWO
THE DISCO. TIM IS STANDING CENTRE STAGE. ED IS MAKING HIS WAY ACROSS THE DANCE FLOOR HOLDING DRINKS.
ED
Excuse
me. Excuse me. Sorry, sorry. [STOPS] What? Oh get fucked you stupid queen.
Get a life. [HE CONTINUES MOVING ON] Here's your drink. I'm never going
to the bar again. Everyone's a pig. I missed three songs I like. One even
had a chorus.
TIM
Thanks
pet. Now get out of my way. I'm cruising someone.
ED
Who?
TIM
Go
away.
ED
No
wait. Let me guess.
TIM
Oh,
not again.
ED
The
guy with the mesh shirt and no neck.
TIM
What
guy?
ED
The
one standing with his back to us. You never could resist a pretty face.
TIM
No,
not that one.
ED
Then
how about the one with his finger in his ear? No. My mistake. The finger
belongs to the guy next to him...and I don't even think it's his finger.
Ugh.
TIM
Will
you shut your clacker for a second! You're putting me...Oh thank you very
much. He's gone now. Are you happy? Once more you've ruined any chance
of me getting a decent man to share my bed.
ED
Honey,
for one thing you've had a different man every night this week and I daresay
you probably didn't even make it to the bed. And another thing...the day
you find anything decent here then fuck him quickly because the world is
coming to an end.
TIM
Are
you finished? If you must show your Wentworth Finishing School upbringing
go do it in a nearby alley.
ED
And
step over your body? No thank you.
CRAIG ENTERS AND WATCHES THEM. ED LOOKS AT CRAIG.
ED
Oh
now this one is me. [FALSETTO] Yoo-hoo. Boy. You with the key. Boy.
TIM
Oh
for chrissakes.
ED
Oh,
sorry pet. [TO CRAIG - BUTCH] G'day darlin'. Wanna take me out back and
smack me across the toilet seat?
CRAIG RUNS OFF.
TIM
I'm
gonna smack you across the room if you don't shut up.
ED STARTS MOVING TO THE MUSIC.
TIM
What
are you doing?
ED
Dancing.
What's it look like I'm doing?
TIM
Well,
stop it. You want everyone to think you're a queen?
THEY LOOK AT EACH OTHER THEN BURST OUT LAUGHING. A POPULAR SONG COMES ON. THEY SHRIEK THEN MOVE ONTO THE DANCE FLOOR. THEY GET INTO THE DANCE, PULLING OUT THE AMYL BOTTLE, SENDING UP THE OTHER DANCERS, ED PULLS OUT A TAMBOURINE. TIM IS EMBARRASSED. IN THE MIDDLE OF IT ED IS PUSHED BY AN IMAGINARY PERSON AND GETS INTO AN PUSHING FIGHT UNTIL TIM PULLS HIM BACK. THEY RESUME DANCING. CRAIG RE-ENTERS AND STANDS TO THE SIDELINE AS TIM AND ED CONTINUE DANCING. HE FINALLY GATHERS UP HIS COURAGE AND MOVES CLOSER TO THE TWO OF THEM. HE DANCES RATHER BADLY AND THE OTHERS START TO NOTICE HIM. JUST AS HE WORKS UP THE COURAGE TO SPEAK TO TIM THE SONG FINISHES AND THE MUSIC CHANGES. THEY LOOK BORED AND GO BACK TO THEIR DRINKS. CRAIG MOVES BACK TO THE SIDELINES. ED NOTICES SOMEONE ELSE IN THE DISTANCE.
ED
Oops.
There's something. Me go walkies. You stay.
TIM
What?
Where are you going?
ED
Can't
talk now. I'm in SRM.
TIM
SRM?
ED
Serious
root mode. You know. Legs go up, eggs come down.
ED EXITS. TIM IS STANDING ALONE. CRAIG MOVES TOWARDS HIM THEN TURNS HIS BACK AS IF TO BUMP IN TO HIM ACCIDENTALLY. HE TRIPS AND FALLS FLAT AT TIM’S FEET. TIM HELPS HIM UP.
TIM
Are
you okay?
CRAIG
Yeah...uh...the
floor’s real slippery...sorry.
CRAIG TRIES TO SHOW HIM THE FLOOR IS SLIPPERY BUT HIS FOOT REFUSES TO SLIP.
TIM
It
is?
CRAIG IS VERY EMBARRASSED. TIM STARES AT HIM FOR A MOMENT. CRAIG LOOKS AT HIM AND FOR A MOMENT THEY JUST STARE AT EACH OTHER THEN BOTH LOOK AWAY. NEITHER CAN THINK OF ANYTHING TO SAY.
CRAIG
Having
a good time?
TIM
Yeah,
pretty good. You?
CRAIG
Me
what? Oh...yeah...it’s okay. There’s a lot of people aren’t there? I haven’t
been out for a long time but it looks more crowded every time I come....here,
I mean...to this club. Not that I come here often, I mean. Like I said.
Actually I haven’t been here in about a year. It’s not that I don’t go
out or nothing....
TIM
Hey!
I was just making conversation.
CRAIG
What?
Oh, right. Sorry.
THEY STAND STILL FOR A MOMENT THEN BOTH SPEAK AT THE SAME TIME.
BOTH
You
come here very often?
THEY BOTH STOP
TIM
Sorry.
CRAIG
No,
you go ahead.
TIM
I
was...oh skip it. You must be new in town. I mean, I’ve never seen you
here before.
CRAIG
Oh,
you’re a regular?
TIM
Kinda.
Every night except Jewish holidays.
CRAIG
You’re
Jewish?
TIM
No.
CRAIG
Oh.
TIM
It’s
quite busy here tonight. Normally there’s just a couple of trolls and the
like but this time I suppose there must be a boat in or something because...
CRAIG
You
want to come home with me?
TIM
You
can hardly get to the bar and...what?
CRAIG
Do
you want to come home with me?
TIM
I...uh...I’m
here with someone. I can’t just go off and leave them, you know. I think
that would be a bit rude, don’t you?
ED RUNS PAST CHASING SOMEONE WITH HIS TONGUE OUT.
ED
Hey
sweetcheeks. Where are you going? Let me lick the glitter off your back!
You selfish bastard!
HE EXITS. TIM TURNS TO CRAIG
TIM
Let's
go.
BLACKOUT
SCENE
THREE
TIM AND CRAIG FACE EACH OTHER. TIM IS LOOKING AROUND, TRYING TO REMAIN CALM. CRAIG IS NERVOUS, FUMBLING WITH HIS HOUSE KEYS.
CRAIG
Sorry
about the mess. I wasn't expecting to bring someone home.
TIM
Oh,
don't worry...I've seen...[HE LOOKS AROUND] It really is messy, isn't it?
You live here by yourself or do you rent it out to gypsies?
CRAIG
I
think gypsies might be neater. I don't have much time to clean up. I'm
out of town a lot.
TIM
You're
not with an airline, are you?
CRAIG
No.
Why do you ask?
TIM
Nothing.
[TO AUDIENCE] Just checking.
CRAIG
[CONFUSED]
Oh, right. Would you like some coffee?
TIM
No
not really.
CRAIG
How
about a drink?
TIM
Sure.
What do you have?
CRAIG
Er...actually
I don't think there's anything here. I don’t really shop much either.
TIM
Then
I'll skip the drink, thanks.
AWKWARD PAUSE.
CRAIG
Water?
TIM
No,
thanks.
CRAIG
Why
don't you have a seat?
TIM LOOKS AROUND. THERE ARE NO CHAIRS.
TIM
Maybe
I'll stand. Thanks.
CRAIG
Look,
I should be honest with you. I don't do this very often.
TIM
Well,
so far you haven't done anything. Let's leave the apologies until we’re
naked.
CRAIG
What?
No, I mean, I don't bring people back too often.
TIM
Why?
Do they keep stealing the furniture?
CRAIG
You
know you're pretty funny.
TIM
Yeah,
well, one night stands bring out the Noel Coward in me.
CRAIG
Oh...er...I
didn't know that's what you wanted.
TIM
What?
Noel Coward?
CRAIG
No.
A one night stand.
TIM
What?
What did you...
CRAIG
Sorry.
Let's just forget it. Maybe I should take you back to the disco.
TIM
I
don't underst...
CRAIG
It's
still a bit early. You could still find someone.
TIM
Wait.
Wait a minute. You want me to go?
CRAIG
No,
I don't want you to go. But...that's not what I'm looking for. I don't
want someone for one night. I thought you might...like me.
TIM
What?
I do like you. In the brief five minutes we spent sharing a taxi I've come
to have deep and lasting feelings for you.
CRAIG
You're
having a joke again, aren't you?
TIM
Of
course I'm having a joke, you schmuck! You've only just met me. What’s
liking you got to do with anything. This is sex. We shouldn't be even having
this conversation.
CRAIG
I'm
sorry.
TIM
Why
are you sorry?
CRAIG
I
just thought I'd like to get to know you better. You know.
TIM
Why?!
CRAIG
How
the hell should I know! I just thought it would be good that's all.
TIM
Are
you sure you want to have this conversation?
CRAIG
No.
Of course I don't. It's just...I better take you home.
TIM
No...wait.
[PAUSE. TIM LOOKS AT HIM FOR A MOMENT THEN GIVES IN] Well...what sort of
person are you? I mean, I don't know anything about you. You could be an
axe murderer or a Mormon or something.
CRAIG
I'm
not.
TIM
What?
Axe murderer or Mormon?
CRAIG
Both.
TIM
And
I have your word for that?
TIM SMILES AT HIM. CRAIG SMILES BACK.
CRAIG
Yeah.
TIM
Look,
maybe you made a mistake. I should tell you. I'm not good at relationships.
I've had four...
CRAIG
That's
not many.
TIM
This
year.
CRAIG
Oh.
TIM
So
you can see I haven't got a great track record. Tell me why you thought
it could be more than sex.
CRAIG
Because
you looked so unhappy.
TIM
Yeah
well there's a basis for starting a relationship.
CRAIG
I've
seen you before, you know.
TIM
Oh,
really? Where?
CRAIG
Oh,
around.
TIM
Well,
that's nice and specific. I guess it must've been me then.
CRAIG
You
sure do talk a lot, you know.
TIM
So
I've been told.
CRAIG
It
doesn't bother me though. At least you've got something to say. So many
people I know talk but they don’t say anything.
TIM
I
haven't...[BEAT] Look, I know what you're trying to do.
CRAIG
What?
TIM
You're
trying to "get to know me", aren't you? Don't deny it.
CRAIG
Sure.
What's wrong with that?
TIM
Nothing
if you're husband hunting. I'm not. I'm just after the sex!!
CRAIG
Sex
ain't all there is.
TIM
It
is if you haven't had it in weeks.
CRAIG
Try
months.
TIM
I
think I'd kill myself if [BEAT] You haven't had sex in months?
CRAIG
Not
really.
TIM
What
do you mean "Not really"? You've either had it or you haven't.
CRAIG
Then
I guess I haven't.
TIM
If
I don't have sex at least once a week I slap the cat. Why haven't you had
it? What's wrong with you? You're gay, aren't you? Or are you doing research
for a thesis or something?
CRAIG
No.
There's nothing wrong with me. I'm just not all that interested in sex.
TIM
Then
why did you invite me home?
CRAIG
I
told you. I just wanted to get to know you.
TIM
I
think we're going in circles. Look, you're probably a nice person but I
don't think this is any good for...
CRAIG
Why
did you come home with me?
TIM
I
told you. I thought there was sex in the air.
CRAIG
If
it's that important we could do that too.
TIM
What
"too"? That's all I thought was happening.
CRAIG
Do
you have many one night stands?
TIM
I'm
not gonna tell you the answer to that!
CRAIG
Have
there been lots?
TIM
Persistent,
aren't you?
CRAIG
I've
been told that.
TIM
Well,
since you ask, no. I don't go off with every person I meet.
CRAIG
You
did tonight.
TIM
Yeah,
well, you got me at a weak moment. I'd finished my drink.
CRAIG
Maybe
you drink too much.
TIM
Maybe
I do a lot of things too much.
CRAIG
I'm
not criticising.
TIM
That's
okay. You're probably right anyway. I better go.
CRAIG
You
want me to take you home?
TIM
You
got a car?
CRAIG
No.
TIM
Then
how you gonna take me home?
CRAIG
We
could get a taxi.
TIM
Then
we'd end up at my place. What’s the point of that?
CRAIG
I
just enjoyed sitting in the taxi with you coming here.
TIM
Oh,
that's good. You’re not into sex but you give great taxi.
CRAIG
That's
just about it.
TIM
Well
I think you should really get to know a person before you use and abuse
them. Bye
TIM GOES TO LEAVE. CRAIG GRABS HIS HAND.
CRAIG
Stay
the night.
TIM
Why?
CRAIG
I
like you.
TIM
You
don’t know anything about me.
CRAIG
I
think I know enough about you to want to get to know you better. I like
talking to you.
TIM
Talking
is easy. It's the other things that take a bit more work.
CRAIG
I'm
a hard worker. Stay the night.
TIM
I
can't. You want more.
CRAIG
I
don't want more. I just want you.
TIM IS SWEPT AWAY FOR A MOMENT THEN TURNS TO HIM. HE TAKES A DEEP BREATH.
TIM
Kiss
me.
CRAIG
What?
TIM
We're
gonna have to start somewhere. Usually I can tell from the way a person
kisses if we're compatible. Kiss me.
CRAIG KISSES HIM LIGHTLY ON THE CHEEK.
I think we're gonna have big problems.
BLACKOUT
LIGHTS COME UP ON CRAIG AND TIM STANDING WITH A SHEET COVERING THEM AND TUCKED UNDER THEIR ARMS
TIM
Well,
still waters run deep. [TO AUDIENCE] It's always the quiet ones. [TO CRAIG]
I thought you weren't into sex.
CRAIG
I'm
not...that much.
TIM
You
could've fooled me. How long was it?
CRAIG LOOKS SHOCKED
TIM
I
mean, how long did it take?
CRAIG
[LOOKING
AT HIS WATCH] Twenty minutes.
TIM
Twenty
minutes? I think I may have broken my personal best?
CRAIG
You
wanna go for a State record.
TIM
I'm
not nineteen anymore.
CRAIG
You're
only as young as you feel.
TIM
Yeah,
I feel like I could have a heart attack.
CRAIG PULLS THE SHEET UP OVER THEIR HEADS.
BLACKOUT
LIGHTS UP. BOTH HAVE THE SHEET UNDER THEIR ARMS AGAIN.
TIM
We
should be getting up. How long have we been here?
CRAIG
[LOOKING
AT HIS WATCH] Seven hours.
TIM
Jesus.
It's almost night time again. I gotta go and feed my cat.
CRAIG SNUGGLES INTO HIM AND STARTS TO SINK BENEATH THE COVERS. TIM STARTS TO SQUIRM.
I never liked that cat anyway.
BLACKOUT
LIGHTS UP. SAME AS BEFORE ONLY CRAIG IS FACING THE OTHER WAY WITH HIS EYES CLOSED.
TIM
We
really should be getting up. This is ridiculous. I'm too old for this.
It's a mistake. I have been in this bed for practically the whole weekend
with someone I know nothing about. We've got nothing in common except maybe
some interesting sex and conversation. You don't know what sort of person
I am. I don't know what sort of person you are and besides all that, I
can't believe I've talked so much in all my life. What do you think?
CRAIG SNORES. TIM LOOKS TOWARDS THE AUDIENCE.
TIM
I
deserve this.
BLACKOUT.
LIGHTS UP. SAME AS BEFORE. CRAIG IS EATING A SLICE OF PIZZA. TIM IS FACING THE OTHER WAY, ALMOST ASLEEP.
TIM
What's
that smell?
HE TURNS TOWARDS CRAIG AS...
BLACKOUT
SCENE
FOUR
TIM AND ED ARE SITTING AT A TABLE WITH COFFEE. THERE IS A LONG PAUSE WHILE ED GLARES AT TIM. TIM TRIES TO IGNORE HIM FOR AWHILE BUT IT IS HOPELESS. FINALLY...
TIM
What?!
What?!
ED
Nothing.
I said nothing.
TIM
Then
what's wrong? Usually I can't get a word in.
ED
There's
nothing wrong.
TIM
Great.
AFTER A LONG PAUSE ED EXPLODES.
ED
I
just thought I was your best friend, that's all. There was a time when
you told me everything. Even when I didn't want to hear about it you'd
tell me what was going on in your life.
TIM
Oh
please.
ED
But
you've obviously got better things to do. But....that's okay. That's okay.
TIM
You
didn't get a root last night, did you? That's why you're being a putz.
ED
I
am not being a putz. I am just being concerned. That's what friends do,
you know.
TIM
I
see.
ED
But
now that you mention it, no I did not get a root last night.
TIM
Why
not?
ED
I
couldn't remember my PIN number. And to top it all off I didn't sleep well
last night. I woke up with my head at the other end of the bed. Now usually
this can mean I was either taken up by aliens during the middle of the
night or I was concerned for the where-abouts of my dearest and closest
friend. As there are no suction marks over my body to suggest extra terrestrial
activity I can only assume it was the latter.
TIM
You're
good at this aren't you?
ED
So?
TIM
What?
ED
Are
you going to tell me where you've been for the past two days? You haven't
been home so I can only suspect foul play.
TIM
I've
met someone.
ED
Oh,
yes?
TIM
It's
not serious.
ED
Well,
duh.
TIM
It's
not.
ED
Then
what is it? Serious sex?
TIM
It
ain't just sex either.
ED
Well,
he sure as hell can't be seeing you for your mind so that's all it could
be.
TIM
Give
me some credit.
ED
What
do I look like? A bank teller? Who is this person?
TIM
You
don't know him.
ED
I
know a lot of people. Try me.
TIM
His
name's...er...
ED
I
see.
TIM
I
don't believe it. I can't remember his name. He only told me once when
we first met. I guess there wasn't a reason for him to repeat it. God I
hate that.
ED
You
spend the whole weekend with this person doing God knows what to each other's
bodies and you don't even remember his name?
TIM
I
told you. He only said his name once.
ED
And
do you remember your name? How many fingers am I holding up?
TIM
In
a few seconds you won't have any to hold up.
ED
And
are you going to see him again?
TIM
I
doubt it.
ED
Why
not?
TIM
Well,
he didn't exactly give the impression his life revolved around my orbit.
ED
I
see.
TIM
Craig.
ED
What?
TIM
That's
his name.
ED
Craig?
Mm. Sounds like a class act.
TIM
He's
okay.
ED
And
what does Craig do for a living?
TIM
He's
a florist, I think.
ED
Oh,
dear God.
TIM
No,
wait. He's a landscape gardener. But he's got his own business.
ED
You
mean he has his own mower? He's still just a florist.
TIM
You
always were a snob.
ED
Well?
TIM
Well,
what?
ED
Are
you gonna tell me or do I have to beat it out of you?
TIM
Tell
you what?
ED
What
he was like?
TIM
I
told you. He's a nice guy.
ED
I
don't care about nice. I wanna know about the other stuff. What was he
like? Is it bigger than a breadbox? Was there jaw-numbing foreplay or did
you go straight for the missionary position? What?
TIM
I'm
not gonna tell you.
ED
Oh,
my god. You're in love. Don't deny it.
TIM
No,
I'm not.
ED
Hah!
I knew it! Leave you alone for five minutes and you're dating the broom
closet.
TIM
Oh
for chrissakes.
ED
Why
do you always fall in love with the first person who's at faking orgasms
than you?
TIM
Don't
you talk. I swear I've seen some of your dates crouched on the corner tops
of buildings covered in concrete.
ED
Hey,
don't knock my choice in ugly men. It's a case of "They're always grateful
and if they leave you, who gives a fuck!" You’re just making a fool of
yourself again.
TIM
Hello.
Anybody home? I just told you. I'm not in love with him. It was a just
a couple of days together...
ED
Hah!
I knew I couldn't trust you.
TIM
Oh,
please.
ED
You're
gonna be a jerk over this guy. I can see it. [DIFFERENT VOICES] Don't do
it honey. "They're gonna laugh at you!" Click your heels, quickly and say
after me. "There's no place like home. There's no place like home." "Stay
out of the light, Carol-Ann." "Climb to the bottom" [SINGING] "There's
got to be a morning after...."
TIM
Are
you finished?
ED
I
think so. I think I pulled a muscle.
TIM
You
must be really close to your cycle. That was pretty much your whole routine.
ED
Forgive
me. I know not what I done. When are you seeing him next?
TIM
I
didn't say I was gonna see him again.
ED
Didn't
you get his number?
TIM
No.
ED
Why
not?
TIM
Because
he didn't offer it to me.
ED
Oh
well, that's a relief. I have quite enough drama in my life without worrying
about you as well. [PAUSE THEN SUSPICIOUSLY] Wait a minute. You gave him
your number, didn't you?
TIM
I....
ED
What
have I told you? Haven't you learnt anything from me these past five years?
Never, ever, on any occasion give your number to someone you've just met.
That's what I've always said. And if they insist...give them mine.
TIM
He
won't call anyway.
ED
Why
not?
TIM
Because
I told you. He didn't seem that interested when we parted.
ED
Well
I hope you feigned indifference as well?
TIM
Too
well, I guess. He hasn't called.
ED
Then
why are we even having this conversation?
TIM
I'm
not. You're having this conversation. I'm just here for when you need to
take breaths.
ED
So
what's the problem?
TIM
I
didn't say there was a problem.
ED
Really?
TIM
Isn't
it funny. You spend a few hours with someone, having a nice time with them
then the whole reality thing starts crashing in on you and you realise
it was just another one night stand. Or in this case a two night stand
with all meals included. And then you find yourself missing them like they've
been lovers for years.
ED
Oh,
poor sweet ba-boo. Since when have you had a lover that lasted in the years
category?
TIM
Okay,
so I'm not known for long term relationships.
ED
Honey,
I'm usually still sewing my bridesmaid frock when you're filing divorce
papers!
TIM
I'm
not that bad.
ED
Don't
tell me you're thinking about getting hitched?
TIM
No.
I just thought it would nice for a change to sleep with the same person
night after night. You know...do things together.
ED
Well,
that sure sounds like getting hitched.
TIM
Maybe
I'm just sick of all these one nights stands.
ED
Wash
your mouth out!
TIM
I
think I must frighten people.
ED
At
the moment you're frightening me. Stop it! Look, he hasn't called. That
probably means he's not interested. Face it like the brave little Tonto
you are. Be tough. Be strong. Forget him.
TIM
I
can't.
ED
Or
be like me. Next time you see him, scream and throw a drink at him. Never
let social decorum get in the way of a good punch up. Cheers.
BLACKOUT
SCENE FIVE
AN
ANSWERING MACHINE SITS ON A SMALL TABLE CENTRE STAGE. TAPE: TWO RINGS THEN
BEEP.
Voice:
Hi...this
is Tim. I can't come to the phone right now but if you'd like to leave
your name, number and the time of your call then do it after the beep and
I'll get back to you as soon as possible.
Hi...it's me. Sorry, I haven't called you but I just found your number under the bed. Er...just ringing to say hi. I'll talk to you soon...Bye.
BEEP
Hi...again. I guess you must be out. I'll try and give you a call later. Bye.
BEEP
It's me again. Just rang to say hi........hi.
BEEP
Hi....I think I must be on a first name basis with your answering machine. Give me a call.
BEEP
Well, you still haven't returned my call. I'll try once more.
BEEP
[PAUSE] Well...it's obvious you don't wanna talk to me so I'll see you around.
BEEP
This is your last chance, you little bugger. Give me a call or I'm gonna kill myself. I'll speak to you sometime...
TIM RUSHES IN AND GRABS THE PHONE
TIM
Hello...hi.
I just got in. What? No, I haven't been in. I'm sorry I haven't called
you back but you didn't give me your damned number, did you? How have you
been? That's good. Oh, I've been okay...
TIM SQUEALS AS THE LIGHTS FADE
SCENE
SIX
CRAIG IS CARRYING IN SOME BOXES. TIM FOLLOWS SLOWLY BEHIND CARRYING A PILE OF LPs.
CRAIG
So
I thought I'd put all my reference books in the spare room and you could
maybe move your work out bench onto the balcony until you go back to working
out. You are gonna start working out again, aren't you? I know there's
a lot of boxes and everything. Should we store them somewhere? What about
the back of the car space downstairs? Is that an option or are all your
neighbours too anal? I know mine were. What about those records? They're
a bit seventies, I know but they have sentimental value. I just about grew
up on them. I think I even have a picture disc version of Sherbet's Howzat
album. Are you okay? You've hardly said anything since the moving van left.
What's the matter?
TIM
Nothing.
CRAIG
Are
you sure?
TIM
Positive.
[TO AUDIENCE] Oh, my god! What have I done? I must be crazy. I've let a
stranger into my home. He's gonna destroy everything I've ever worked for.
I'm not ready for this. He has all these books and everything. I can hardly
get past the index of the telephone directory. He's gonna think I'm an
idiot. What am I talking about? I am an idiot. I let someone I've only
spent the past four weeks with move in with me.
CRAIG
[TO
AUDIENCE] Five weeks.
TIM
What?
CRAIG
We've
been together every night for the past five weeks. If you're gonna tell
the story, tell it right.
TIM
That's
right. Shatter the illusion. Go back to your books.
CRAIG
It
was your idea I should move in.
TIM
What's
the point of paying rent on an apartment when you're always here?
CRAIG
I
thought you wanted me here.
TIM
I
do want you here.
CRAIG
Then
what's the problem?
TIM
There's
no problem.
CRAIG
Well,
you're sure acting like there's a problem.
TIM
It's
okay. It's just...gonna take some getting use to. I've always lived alone,
you know.
CRAIG
So
you keep saying.
TIM
I
didn't mean it like that.
CRAIG
We
don't need to do this. I could still move back. It's not too late.
TIM
I
want you here.
CRAIG
Yeah?
Why? So you can keep an eye on me?
TIM
[HUGGING
HIM] Yeah. Now shut up.
THEY EMBRACE AND KISS.
CRAIG
You
know, we don't have to unpack now. There's no hurry. We could maybe....do
the wild thing.
TIM
Do
the wild thing?
CRAIG
You
know. Rub lumpy bits.
TIM
You're
sick.
CRAIG
Why
not?
TIM
I
didn't say no. I just said you're sick. And besides...for someone who wasn't
that interested in sex when we first met you've certainly, if you'll pardon
the expression, changed your position.
CRAIG
I
didn't say I wasn't interested. I just wasn't after one night stands, that's
all.
TIM
My
mistake.
CRAIG
And
besides, I like fooling around with you.
TIM
Fooling
around?
CRAIG
You
know what I mean. Don't send me up.
TIM
I
said nothing.
CRAIG
Well,
if you don't want to unpack or "fool around" then why don't we go out for
a drink?
TIM
I
don't think so.
CRAIG
Why
not?
TIM
Because
I don't want us to look like the newly married gay couples you see at the
bars.
CRAIG
But
we are a newly married gay couple.
TIM
That's
besides the point.
CRAIG
Oh.
TIM
And
if you think I'm worried about what other people will think then you're
right!
CRAIG
Why
all of a sudden do you care what people think?
TIM
I
just don't want us to become one of those awful bar couples. You know what
I'm talking about. The first couple of weeks out they're all over each
other, pawing, groping and eyeing each other longingly. A few weeks later
their eyes are wandering longingly all around the rest of the bar. A few
weeks of groin-crunching sex then they start getting toe-ee. Then it's
any excuse to have a fight and get out of the relationship. You know. Those
quirky charming little things he used to do when you first met and so made
you laugh. That cute little dimple in his cheek. It's only after you really
get to know him those charming, quirky little things now make your skin
crawl backwards and you want to smash his dimple in with a waffle iron.
CRAIG
Are
you talking about us? Are you sick of me already?
TIM
No,
of course I'm not. But that's what it's like out there. I thought the idea
of having a lover is that you don't need to go out any more. You find things
to do with each other at home. I don't say we should invest in crochet
classes and do the crosswords but there's plenty for us to do together
without having to resort to the bars.
CRAIG
So...your
answer to my question is no, you don't want to go out for a drink?
TIM
I
talk too much, don't I?
CRAIG
Er...
TIM
Someone
should set fire to my soap box and watch me burn down to my hair gel.
BLACKOUT
SCENE
SEVEN
THERE IS A SCREAM IN THE DARK THEN THE LIGHTS COME ON. TIM AND ED STAND IN SEPARATE SPOTS SPEAKING ON THE TELEPHONE. TIM IS READING A MAGAZINE AND EATING A CARROT STICK WITH THE PHONE UP TO HIS EAR.
ED
You
did what!??
TIM
I
let him to move in.
ED
Move
in?! With you?
TIM
No,
with my great Aunt Tillie! Of course with me.
ED
Are
you mental!? Have you gone completely bonkers? Why do such a stupid thing
without talking to me first?
TIM
Because
I knew you'd be as calm as you are now. I knew how you'd react.
ED
I
ain't that predictable. If I was, you'd be lying on the floor with a Splade
set sticking out of your spinal column. Why did you let him move in?
TIM
I...don't
know.
ED
Jesus.
You're in it up to your bikini line, aren't you?
TIM
In
what?
ED
You're
really in love with the jerk.
TIM
I
am not really in love. I just like him...a lot.
ED
Do
you cook for him?
TIM
No.
He cooks.
ED
Do
you clean up after him.
TIM
I
don't have to. He's very neat.
ED
Do
you iron his clothes?
TIM
I...uh...I'd
rather not say.
ED
Oh
fabulous! And how long do you think this one will last?
TIM
What're
you talking about? I don't know.
ED
Have
you met his family? Is he from good stock? Where do you intend sending
the children?
TIM
Oh
shut up. Does it bother you so much him moving in with me?
ED
What
makes you think it bothers me?
TIM
I’ll
bet you’ve got that Medusa look on your face. The kind that sends Myers
shop assistants crumbling to their knees.
ED
I
have nothing of the kind. My face is as blank and empty as your heart.
I just don't understand why you let him move in.
TIM
Well,
I guess I must be in love with him, mustn't I?
ED
You
don't know what love is.
TIM
I
thought you'd be happy for me.
ED
Yes...I'm
so happy. I've only seen you go through the same thing seven times in the
past two years. Although, admittedly you've never been crazy enough to
have one of them set up shop with you before. I know what you're like.
This one will go just the same way as all the rest. And you wanna know
why?
TIM
No
but I have a feeling you're gonna tell me anyway.
ED
You’re
incapable of making a commitment. You fall in love for a couple of weeks,
you dump them or they dump you. Oh and then of course you beat them up
when they won't talk to you.
TIM
I
don't do that anymore. I don't beat anyone up.
ED
That's
what you said three black and blue boyfriends ago.
TIM
I've
gotten better. Really I have. Just...please don't let me kill again.
ED
Don't
try to be cute. The trouble with you is you never see the bad things in
a person. You don't read the tell-tale hints until they're hitting you
over the head with a sledge-hammer and working their way through Europe
on your American Express card.
TIM
Well,
I won't make that mistake again.
ED
You
forget who you're talking to. I know you better than you know your own
underwear collection. You were the same when we went out. You haven't changed
one bit in five years.
TIM IS SHOCKED
TIM
I
never thought you'd bring that up again.
ED
Serious
situations call for serious measures.
TIM
We
never would've lasted anyway. You were such a selfish shit.
ED
I’m
sure you’d like to think that. No, the main reason you and I broke up was
because you can't handle emotional commitment.
TIM
That
and the fact that you threw a Wedgewood dinner service at me.
ED
It
fell out of my hands.
TIM
At
forty miles an hour? Some fall. And don't tell me I lack emotional commitment.
You’ve only ever had two boyfriends, you share a tiny flat with a dead
canary and you're only three months older than me so don't think you're
such an expert.
ED
Touch
a raw nerve, did we? [PAUSE] Yeah well, I guess that's the trouble when
we both come from the Jurassic period. Most of our kind died off in lava
flows. We have to "turn" on each other.
TIM
Ain't
it the truth.
PAUSE
ED
Are
you really happy?
TIM
I
think so.
ED
You
don't know?
TIM
I'm
happy. I'm happy.
ED
Then
what do you need me for?
TIM
I
want your blessing.
ED
You
want a blessing, go talk to the Pope! You want a belt in the mouth you
come see me.
TIM
And
what about you? Are you happy?
ED
For
you? Ecstatic. I hope you both die in pain. For me...life just goes on.
[KATHERINE HEPBURN] Oh Lizzie, you're so unattractive. In any case this
all just part of my glorious ten year plan?
TIM
Ten
year plan?
ED
Uh-huh.
If I ain’t married and settled down with Mr Right in ten years I’m gonna
walk in and shoot up a McDonalds.
TIM
Well,
you gotta find someone quick. [FALSETTO] We must prepare the way, for one
day you will be queen.
ED
Mm.
I just get the feeling life's passed me by.
TIM
Honey...life
didn't just pass you by. It stepped on your head....in pumps.
BLACKOUT
SCENE
EIGHT
TIM AND CRAIG, WEARING MATCHING SHORTS AND T-SHIRTS, ARE SITTING ON THE FLOOR FACING EACH OTHER HOLDING TWO CHAMPAGNE GLASSES. THERE IS A SMALL CAKE WITH CANDLES IN IT.
CRAIG
Here's
to you and me and six months together.
TIM
Fancy
you remembering that.
CRAIG
I
remember a lot of things.
TIM
I'm
sure you do.
CRAIG
Are
you still in love with me?
TIM
You
know I am. How about you?
CRAIG
Yes,
I'm still in love with me as well.
TIM
Cute.
CRAIG
The
only reason you went out with me.
TIM
That
and your humility.
CRAIG
Oh?
I thought it was because I could do this.
CRAIG GRABS HIM, PUSHES HIM OVER AND SITS ON TOP OF TIM, TICKLING HIM. TIM IS YELPING AND LAUGHING.
TIM
Ah,
you bastard.
CRAIG
Got
you, you mongrel. Now I'll never let you go.
TIM
Sure.
That's what you say to all the boys.
CRAIG
You
know there's no-one else but you. You and the football team. But it's just
the reserves. I'm not a slut.
TIM
Stop
it. Let me up. Don't. I'll be sick.
CRAIG
Oh,
that's right baby. Talk dirty to me.
TIM
Okay.
Get off me, you fucking lunatic!
CRAIG
That's
not quite what I had in mind.
TIM
I'm
gonna smack you in the chops in a minute.
CRAIG
Sweet
talker.
TIM
Let
me up, you big lug.
TIM PINCHES CRAIG HARD. HE YELPS AND LETS TIM UP.
CRAIG
You
wanna go out for a drink?
TIM
No.
CRAIG
Oh,
I'm glad you thought about.
TIM
I
don't wanna go out.
CRAIG
So,
what are you saying? You don't wanna go out?
TIM
Read
my lips. I don't want to go out.
CRAIG
Okay.
We'll do what you want.
TIM
Now
don't be like that. It's our anniversary....ish. I wanted to share an evening
in with you. I've hardly seen you all week.
CRAIG
That's
not my fault. You're the one that has to work back all the time.
TIM
I
know. I know. That's why I want to spend time with you.
CRAIG
I
just thought you'd be bored sitting in with me every night.
TIM
No,
of course I'm not bored.
CRAIG
Well,
you could've fooled me.
TIM
Are
you bored?
CRAIG
Sometimes.
TIM
With
me?
CRAIG
Of
course not. Well...not exactly.
TIM
[PAUSE]
What do you mean "not exactly"? You're bored with me?
CRAIG
I
didn't mean it like that. Of course two people are going to get a little
bored with each other after a while. It happens to every couple.
TIM
Since
when did you get to be such an expert on other couples? You told me you've
only had one other relationship. And that broke up a long time ago.
CRAIG
It
wasn't such a long time ago. Only three months before I met you.
TIM
[SHOCKED]
Three months? You told me it was years ago.
CRAIG
Did
I? Well, it wasn't that long ago.
TIM
Three
months? And you rush straight into another relationship?
CRAIG
I
didn't rush into anything. It just happened, that's all. You don't know
when these things are gonna happen. They just do.
TIM
Jesus.
I practically get you on the rebound. I don't believe it.
CRAIG
You're
getting angry. Why are you getting angry?
TIM
I'm
not getting angry. I am angry.
CRAIG
Why?
Because you find out I break up with someone a couple of months before
I started going out with you?
TIM
Oh,
so now it's a couple of months. A couple usually means two. A moment ago
you said it was three months. Are you quite sure when it happened? Maybe
it was just a couple of hours ago!
CRAIG
Does
it matter when?
TIM
Of
course it matters!
CRAIG
I
don't know what you're going on about? Do you hear me bitching about all
your other relationships? No. You don't. Because it has nothing to do with
me.
TIM
It
has plenty to do with you. You're supposed to be my lover. I would think
most things about my life would be of some interest to you.
CRAIG
Not
everything. Certainly not all your lovers.
TIM
They
were not "all my lovers". They were affairs and most of them were quite
brief.
CRAIG
Oh,
that makes all the difference.
TIM
It
is different. I never tried to hide anything from you.
CRAIG
And
I've never hidden anything from you either.
TIM
Bullshit!
CRAIG
Fine.
CRAIG STARTS TO LEAVE
TIM
Where
are you going?
CRAIG
I'm
going out for a drink.
TIM
Without
me?
CRAIG
Yes,
without you. You're the one who started this. You're always the one who
starts these little fights. You're so fucking paranoid it blinds your vision.
What do you think I get up to when you're not around? You think I'm doing
the beats or something while you're working back? Jesus. Yeah, well, don't
think I haven't thought about it sometimes. The amount of times we make
love lately I might as well be a monk. You're always too tired or something.
I don't push you. You're the one who used to like it so much! I don't want
anyone else so I don't look around. Though it wouldn't matter either way
because you've wrapped me up so tight in this flat I can't get any air
let alone a find another fuck!
TIM SMACKS HIM IN THE MOUTH. CRAIG IS IN SHOCK FOR A MOMENT THEN:
Happy anniversary.
HE STORMS OUT.
BLACKOUT
SCENE
NINE
TIM IS SITTING IN THE DARK WHEN CRAIG ENTERS.
TIM
Craig?
CRAIG
Yeah?
TIM
I...it's
late.
CRAIG
What
are you? The speaking clock? I know what time it is.
TIM
I've
been sitting here for hours. I was worried.
CRAIG
Well,
don't be. I can take care of myself.
TIM
I
know...
CRAIG
And
where do you get off hitting me!? Who the fuck do you think you are?
TIM
I
didn't mean to...I was...
CRAIG
No-one
ever
hits me! My last boyfriend did that and almost put me in hospital. No-one
gets a second chance. I've never hit anyone before but if you do it again
I'll kill you!
TIM
I'm
so sorry. I just didn't know what else to do. Me and my big mouth.
HE STARTS TO CRY. CRAIG GOES TO HOLD HIM.
CRAIG
It's
okay. It's okay. [PAUSE] Did you save me any cake or is it all on the wall?
BLACKOUT
SCENE TEN
THE BALCONY. TIM IS STANDING CENTRE. ED ENTERS WITH TWO COLD DRINKS. THEY SIT AND LOOK OUT FOR A WHILE.
TIM
I
can't believe I hit him. He's the last person in the world I want to hurt.
I just don't know what to say to him anymore. He's certainly not the same
person who moved in with me. That's for sure.
ED
Are
you sure it's him? It couldn’t be you that's turned into Hell-Hound Of
the North.
TIM
What
are you talking about? I haven't changed a bit.
ED
Of
course you haven't, pet. You're always beating up boyfriends
TIM
I
don't mean like that. I just don't know where I am with him.
ED
Well,
at the moment you're not with him. You're talking to me and boring me to
high heaven.
TIM
I’m
sorry. I just thought you'd be interested.
ED
Where
do you get off expecting me to be happy listening about your new lover?
You think I want to hear about it? Well I don't. Quite frankly I'd just
as soon eat worms. I've been telling you for months to leave him. You don't
listen. So don't expect much Sarah Sympathy from me.
TIM
Is
that really how you feel?
ED
No
but I'm in my Leona Helmsley mode. Queen Bitch. I care about nothing and
no-one.
TIM
Oh.
ED
That's
not true. I do care. Christ you're easy to take the piss out of. I can
see why he drives you nuts. You know what your big problem is?
TIM
What?
ED
You're
too paranoid. You get hyper. Just tell me what it is you want.
TIM
I
don't know. Yes I do. I want it to be the way it was before he moved in.
It was great.
ED
Then
get him to move out again. That should put it all right.
TIM
I
can't do that.
ED
Why
not?
TIM
I...
ED
Afraid
he’ll find someone else?
TIM
Not
really. Maybe....
ED
Crap.
That's all you're worried about. That's all you've been worried about for
the past year. And in the meantime you’ve forgotten the most important
thing.
TIM
Which
is?
ED
Well
for a start you've forgotten how to love him.
TIM
That’s
not true.
ED
You’ve
been with him for 12 months. Are you in love with him still?
TIM
Of
course I am.
ED
Yes,
well, some people mistake being in love with just being used to having
someone around.
TIM
That’s
not it. I do love him.
ED
I’m
sure you love him but that’s not what I said. I asked if you were in love
with him?
TIM
Same
thing. I’ll always love him.
ED
Yes,
well, listen Whitney, before you break out in song you better take a good
look at yourself. If I were a mere observer I’d say that maybe you’ve let
a few items slip from the shopping list since you first met him and quite
possibly he resents that.
TIM
That's
not true.
ED
No?
How often do you have sex?
TIM
Hardly
ever, I suppose.
ED
From
what I hear, it's hardly never.
TIM
How
do you know that?
ED
Because
he told me.
TIM
He
told you? You speak to him.
ED
Sometimes
he calls me.
TIM
Why
would he do that?
ED
Who
else has he got? He doesn't have many friends, does he?
TIM
No.
He doesn't.
ED
So
he's got to bore someone. Look, if there's nothing much left in the relationship
except sex and you take that away what else is there?
TIM
I
don't know.
ED
You
want it back the way it was? Then give him back the person he loved or
give him up.
TIM
I
can't do that. I don’t know how.
ED
Why?
Frightened of being alone?
TIM
No.
ED
It's
hard getting used to an empty space in your bed when it's been occupied
for so long.
TIM LOOKS AT HIM. ED FLUTTERS HIS EYELASHES.
TIM
You’re
such a wise old fart.
ED
Yes,
well grasshopper, after years of watching losers like yourself I should
be.
TIM
You
think straights have it this hard?
ED
They
have it easy. They get divorced. All we can do is get drunk....or even.
BLACKOUT
SCENE ELEVEN
NIGHT. CRAIG IS PACKING A BAG WITH CLOTHES. TIM ENTERS.
TIM
What
are you doing? What's the matter? Are you going somewhere?
CRAIG
Yeah.
Away.
TIM
What're
you talking about? Come back to bed.
CRAIG
Are
you crazy? I'm not going back to that bed. You don't want me there. Why
should I go back to it?
TIM
You're
being stupid....
CRAIG
[YELLING]
No! You don't say that! You don't call me stupid. You're always putting
me down. Maybe that's okay for all your friends. They're use to it but
I'm not, okay?!
TIM
I
didn't mean to call you stupid. I'm sorry. Now what's wrong?
CRAIG
You
can't see, can you? You really can't. You don't see what's wrong with all
this? I might as well be invisible. I'm just a piece of furniture in this
apartment. In your life. I don't even know why I'm having this conversation
with you. You won't remember a thing about it in ten minutes.
TIM
Is
this about work or something?
CRAIG
No,
it's not work! My job is nothing. I'm talking about us. Does it ever occur
to you that we might have problems?
TIM
I
know we have...
CRAIG
Because
if it does then you're doing your best to ignore it.
TIM
I'm
not ignoring anything. I just want to know what's upset you.
CRAIG
I'm
just sick and tired of all the abuse. The constant smart-arsed remarks.
TIM
I've
been doing that since we first met. I don’t mean anything by it.
CRAIG
Yeah,
well, now I'm getting sick of it.
TIM
Look,
I’m sorry.
CRAIG
You
think that saying sorry all the time is gonna make it all right again?
TIM
There’s
not much else I can do. Tell me what you want me to do. I’ll do it.
CRAIG
[SCREAMING
AND FALLING TO THE FLOOR] I don't know!! I just...don’t know what I want.
Yes I do. I want out. I don't want to feel like this anymore. I wanna be
happy but you always find a way to bring me down, don't you? I liked being
around you when we first met. We used to do things. We made love all the
time. That’s something I miss. You used to hold me but now you walk past
me like some ghost.
TIM
So,
now you want me to change? You want me to stop being myself?
CRAIG
No,
I...
TIM
Because
I can't! I don't ask you to change for me. I like you the way you are.
I like myself the way I am. I thought that was the reason we got together
in the first place. Or is just an excuse to get away from me?
CRAIG
No,
of course it isn't.
TIM
Well,
it sure sounds like one.
CRAIG
I
just need some time to be by myself.
TIM
How
fucking dare you! What makes you think you've got the right to hop in and
out of sight when it suits you?! You walk into my life just a few months
ago and yeah, everything's wonderful. We're doing all these great things
together. But I go and do the most stupid thing. I go and fall in love.
But just remember...you're the one that started it. You chased after me.
I wasn't planning anything except a one night stand. I just wanted a fuck!
That's what I told you. You want to get to know me better. Well, this is
the way I am. I’m sorry! I’m sorry it’s not wonderful all the time but
who said it was supposed to be? Is this what you want? At the first sign
of trouble you want to be by yourself? Because you can't handle it? Well,
tough! If you want to walk away from me...if you want to desert me then
go ahead. But I'll tell you this for nothing. Don't expect me to fall over
myself trying to hold on to you. And don't think I'll be lonely!
CRAIG GOES TO EXIT
Wait! You didn't think I was being serious, did you?
CRAIG EXITS
Nice
one, pet.
BLACKOUT
SCENE TWELVE
A PHONE RINGS FOR A LONG TIME. ED ENTERS WITH HIS HEAD IN A TOWEL TURBAN FROM JUST HAVING A SHOWER. HE FACES THE AUDIENCE.
ED
It's
your dime. Speak.
TIM
Ed?
ED
You
know it.
TIM
It's
me.
ED
I
know it. We've established identities. Now what?
TIM
He's
left.
ED
Good!
TIM
What?
ED
Sorry.
Gut reaction. He's left?
TIM
Yeah.
ED
Why?
TIM
I
don't know.
ED
Did
you hit him?
TIM
Not
this time, no. But I really wanted to.
ED
Then
why did he leave?
TIM
God
knows. Maybe I'm just a little prick.
ED
You
are but it’s hardly a revelation.
TIM
We
had a fight.
ED
Well,
hold the front page. That's all you two ever do.
TIM
This
time it got nastier.
ED
That
should take some thinking about. [PAUSE] Are you okay?
HE STARTS TO CRY
TIM
Not
really, no.
ED
Christ.
I'll be over in ten.
TIM
Did
I catch you at a bad time?
ED
No,
no. I was just getting ready for the only date I've had this millennia
that wasn’t too far down the food chain. But I can cancel.
TIM
I'm
sorry.
ED
Nonsense.
You're more important than possibly the greatest fuck to cross my path
this century and "centuries, I've had a few. But then again..." See you
soon.
LIGHT FADES OUT ON TIM. ED IS RUBBING HIS ARMS. HE STOPS AND NOTICES SOMETHING ON HIS ARM. HE PULLS THE SLEEVE OF HIS DRESSING GOWN BACK TO REVEAL A KS SPOT. HE STARTS TO SHAKE.
ED
Oh,
great.
BLACKOUT
SCENE THIRTEEN
TIM CASUALLY STROLLS AROUND A BAR. HE IS LOOKING NERVOUS. ED CARRIES SOME DRINKS IN.
ED
Oh,
for God's sake, stop it.
TIM
Stop
what?
ED
You
know perfectly well, what. You've got the look of a depressed leper. I
thought we were out to enjoy ourselves
TIM
I
didn't say I wasn't enjoying myself.
ED
I've
seen sides of beef with happier faces. You've watched every person that's
walked through the front door. You'll be staking out the toilets next.
TIM
I'm
okay.
ED
Yes,
well, if I felt as happy as you look I'd think seriously about throwing
myself under a tram. It's only been four weeks since he left. You're still
a war bride. Has it occurred to you that maybe you aren't suited to each
other?
TIM
No,
shit, Sherlock.
ED
And
I don't know why we had to come here. I thought you said he didn't do the
bars.
TIM
He
doesn't. Well, not very often, anyway.
ED
I
see. Well, if he knows this is your drinking hole then it's doubtful he'll
turn up so stop worrying.
TIM
I'm
not worried at all.
ED
You
could've fooled me.
TIM
I'm
fine.
ED LOOKS AROUND.
ED
I
hate this bar.
TIM
Oh
sure. You've been coming here for the past six years. They even have a
memorial plaque with your name on it over the urinal.
ED
Put
on with lipstick, no doubt. Look at them all. I thought this was a men's
bar. It's more like The Land That Time Forgot. Haven't these people heard
of moisturisers? Any minute now they're gonna start flinging up their tusks
and charging the walls.
TIM
Look
and laugh, pet. In a few years time there'll be new young things looking
at us with the same contempt you're dishing out now.
ED
Nonsense.
The minute I turn...30 I go under the knife for a bit of nip and tuck.
TIM
I
think slash and burn might be more appropriate. Is this also part or your
glorious ten year plan?
ED
Five.
TIM
What?
ED
Five
year plan. I’ve had to re-schedule.
TIM
And
what makes you think you’ll still be attractive in five years?
ED
Low
wattage bulbs. In any case, honey, take a look at what's giving me the
eye at present.
TIM
Where?
ED
Over
by the cigarette machine.
TIM
The
one licking the wall?
ED
What?
No, not him. Ugh. The one next to him. The tall one with the red hair.
Oh dear. Look at the way he's checking me out. Why, he's practically undressing
me with his eyes.
TIM
Undressing
nothing. He's de-boning you. Oops, look out. Both of his eyes have straightened
into one direction. He's coming over.
ED
Oh,
my god. Look how big the fucker is. Imagine the size of his...
TIM
Ssh!
THEY BOTH LOOK AT THE PERSON COMING OVER TOWARDS THEM. THEY SMILE AS THE PERSON CONTINUES PAST THEM TO SOME ONE ELSE.
ED
Prick!
[TO TIM] That's was your fault. Thanks a bunch.
TIM
What
did I do?
ED
He
probably thought you were my girly lover. It's always the same thing.
TIM
Well,
if you get desperate you could always do what you normally do in times
like these.
ED
And
what's that?
TIM
Hang
around outside Pentridge waiting for the day release inmates.
ED
Forget
it. I’ve met your mother.
CRAIG ENTERS.
ED
Oh-ho.
Hold on to your knee pads. Mr Wonderful just arrived.
TIM BECOMES AGITATED AS CRAIG WALKS OVER.
CRAIG
Hi,
Ed.
ED
Well,
hello. Look, Tim. Look who’s here. It’s Craig. Imagine seeing you. Well,
I never. Small world, isn’t it? I was just saying to Tim....
TIM
Ed.
ED
Maybe
I’ll just go rip my lips off, shall I? You boys play nice. I'm going to
the loo. I only hope I’m rescued before I swallow any yellow hockey pucks.
ED EXITS.
CRAIG
Hi,
mate. How you doin'?
TIM
Oh,
okay I guess. Really good actually. How are you?
CRAIG
I'm
fine, thanks. I didn't think you'd be out tonight.
TIM
Why
wouldn't I be out? You think I'm gonna sit at home all the time waiting
for someone to call? I got better things to!
CRAIG
I'm
sure you have...
TIM
People
always seem to think I stay at home twiddling my thumbs. That I've got
no life. Everyone always assumes...
CRAIG
It's
a bit wet outside and I heard you had a cold. That's all I meant.
TIM
Oh.
Sorry.
CRAIG
What's
the matter?
TIM
Oh,
nothing. I couldn't be better. How's your new place?
CRAIG
Oh,
it's okay. A bit cramped but that's alright....
TIM
Oh,
look, I don't care about your fucking flat! Why are you here?
CRAIG
I
just came out for a drink, that's all.
TIM
That
and maybe you thought I wouldn't be out so you could find a fuck!
CRAIG
Look,
Tim, I'm not going to get into this conversation with you.
TIM
Sure.
Run away as usual. That's what you're good at.
CRAIG
Fine.
CRAIG STARTS TO WALK AWAY
TIM
No,
wait! Fuck. I'm sorry.
CRAIG
I
don't want this, Tim.
TIM
Yeah,
well, you got it anyway.
CRAIG
You
want me to leave?
TIM
No,
of course not.
CRAIG
Okay.
TIM
It
never fails.
CRAIG
What's
that?
TIM
This.
You and me. I might act like it doesn't affect me so I won't feel miserable
but...
CRAIG
I'm
sorry.
TIM
Don't
be. I'm not really angry at you. That would be too easy. I'm more angry
with myself because I let myself get this way.
CRAIG
You
and I are just too alike. That's our trouble.
TIM
Oh,
please. Don't patronise me in a crowded bar, for God's sakes. Leave that
for the bedroom when it comes in handy.
CRAIG
I'm
not trying to patronise you. I'm just trying to make you understand. Does
it bother you that much my being here?
TIM
You
go where you want. Why should I care?
CRAIG
Tim,
I’m trying to talk to you.
TIM
Yes,
well, you shouldn’t have waited till the post-mortem. The trouble with
you is you're very fond of hearing your own voice on everything else but
when it gets too close to the bone then you just about become Helen Keller.
CRAIG
Yeah?
Well, it might come as a big shock to know I think you're an arrogant little
shit! I can't get through to you! That's the problem. The only reason I
came out tonight was to see if you were here. I called Ed at work today
and he said you had a cold and I was worried and I wanted to see how you
were so I stopped in at your place and find you aren't home but you're
obviously well enough to come out for a drink and well enough to dump on
me so I'll leave you to it. But don't you worry. If you're waiting to pick
something up I won't hang around because I'm fucking out of here.
CRAIG GOES TO EXIT BUT TIM GRABS HIS ARM.
TIM
Craig,
wait!
CRAIG STOPS.
TIM
You...stopped
to see how I was?
CRAIG
Yeah.
TIM
Well...I'm
still a little sick.
HE MOCKS A COUGH THEN SMILES. AFTER A FEW MOMENTS CRAIG SMILES.
CRAIG
You're
still a little arsehole as well.
TIM
Everyone
needs a vocation.
THEY HUG AND KISS.
CRAIG
I
miss you.
TIM
I
miss you too. I’m sorry, I’m sorry.
CRAIG
Come
home with me?
THEY WALK OUT AS ED STAGGERS BACK IN WITH HIS TROUSERS OPEN, HIS UNDIES HITCHED UP, HAIR MESSED AND TOILET PAPER STUCK TO HIS SHOE.. HE WATCHES THEM, LOOKS AROUND WAVES OFF.
ED
Oh,
taxi.
BLACKOUT
SCENE FOURTEEN
CRAIG STANDS CENTRE STAGE
CRAIG
I'd
like to strangle him sometimes. It's like when I go out. I know that he's
gonna be out. I might go looking for him and when I see him my heart almost
skips a beat. But if I go and talk to him I'm taking the chance he's going
to be in either a shitty or a good mood depending on how he feels about
me that day. What also goes on in my head is that I know he has a history.
I see it in the bars. They're people he knows. People he's been with. I
try to put it out of my head but it's always there. He's a sexual person.
I'm not. I've never been like that. When I'm with someone I can't be unfaithful.
I might still look around like everyone else but that's all I do. I don't
want to be with him all the time because he wears me out. We've got nothing
going for us except that I love him and he loves me. We fight all the time.
We pick at each other for a reaction. We fight over letters from previous
lovers. Every now and then we make a truce, we're okay for a while and
then the whole thing starts over again. It's not a relationship. It's a
war zone. When I'm with him I don't see my own future. It all gets hazy.
I always wanted to settle down but I worked it out long ago it's not gonna
be with him. I can't stay with him and yeah, maybe that's my choice but
I can't handle the thought of him being with someone. I know it's gonna
kill me if I see him giving his love to someone else. It tears me apart.
After you get use to someone being there all the time it's hard to imagine
them having their own life. You're jealous of any happiness they're having
that doesn't involve you. I only want the best for him but if it means
he'll forget me I don't want him to be happy.
BLACKOUT
SCENE FIFTEEN
THEY BOTH FACE EACH OTHER.
TIM
I've
been calling you for days. Where have you been?
CRAIG
I
went down to my mothers for a little while.
TIM
Why
didn't you let me know? I was worried sick.
CRAIG
What
do I have to check in with you for?
TIM
I
didn't say you had to check...
CRAIG
What
are you? My keeper? Jesus Christ. It's like I've never left you. You're
a selfish little prick! I told you we can't be together anymore.
TIM
I
know! You don't have to keep repeating it! But who are you to keep leaving
me? What gives you the right to make that decision without talking to me
first? Just once I'd like to do it to you!
CRAIG
If
I left it to you we'd still be going around in circles.
TIM
We
are still going around in circles.
CRAIG
That's
not my fault.
TIM
So
I'm to blame for it all now, am I?
CRAIG
No,
of course...
TIM
You
always make me out to be the villain.
CRAIG
I
didn't say that. Don't twist things around. You always do that.
TIM
If
you've broken off with me then why don't you do it properly.
CRAIG
With
you there is no proper way.
TIM
Yes
there is. You don't call me in the middle of the night to see how I am.
You don't drink in the same places. If you see me, don't come up and talk
to me.
CRAIG
I
tried that once. You accused me of being rude to you.
TIM
I
don't like being ignored and treated like a bit of old trade.
CRAIG
There's
no pleasing you, is there? At least old trade I can get rid of.
TIM HITS HIM. THEY FIGHT FURIOUSLY, FISTS FLYING. CRAIG TIRES TO PUSH HIM AWAY.
CRAIG
What
do you want from me?!!
TIM
I
just want..[SCREAMING]. Why do you keep leaving me?!!
CRAIG
Oh,
for chrisssakes.
TIM
[SCREAMING]
No! Let me finish for once! Tell you what I'm thinking. You think I'm not
hurt every time you leave but that's exactly how I feel. You never see
what's going on. Every time that little bell goes off in your head telling
you "I'm over this" I get a phone call. Just once I'd like to have you
look at me when you say it. Not over some fucking phone because you're
too gutless to see me. I wish you could see me after one of those calls.
See what it's like to suffer. You're always walking away from me. Always
deserting me. I'm sure you must feel nothing. Certainly not what I'm feeling.
I walk around like a zombie. I think of nothing else. I don't get any work
done, I don't sleep. I'm constantly running over in my head what I did
wrong? But you still expect me to be there every time you decide you want
to be back with me for a night....or a few days if I'm lucky. Then you
get sick of me again. And the worst thing is, I take you back. I'm sick
of feeling like this all the time. I don't want to feel miserable. But
if I can't be happy because of what you've done, why should you be happy
either. I wish you were dead...[PAUSE. CRAIG TRIES TO PULL HIMSELF INTO
TIM]...or out of the country or something so I don't have you there in
my life....that picture of you in my head. Because my heart keeps breaking
and I don't think I can handle it anymore.
CRAIG
[CRYING]
And what about me? You don't know what goes on in my head? Well join the
club! I haven't seen you in three months but I still think about you every
day. Every night I go to ring you but I stop myself because I'll end up
hurting you again. If I weaken now I'll never get away from you. You don't
know how I feel. You never see if I'm hurting but you tell all your friends
how much I make you suffer. What about me?
AS
CRAIG CRIES TIM GATHERS HIM IN HIS ARMS. LIGHTS FADE. TIM MOVES INTO A
SPOTLIGHT.
SCENE SIXTEEN
TIM
That
was the last time I saw him. From start to finish it lasted just over 18
months. Once I said to him it might be easier if he was dead or left the
country or something. Well, he ain't dead but he did move to Brisbane.
Same thing, I suppose. I did get one more phone call.
A SPOT COMES UP ON CRAIG
CRAIG
Hi.
Tim?
TIM
Hi.
CRAIG
How
are you? I've been meaning to call to see how you were doing.
TIM
Me?
I've been doing okay.
CRAIG
That's
good. Tim, I'm calling to say goodbye.
TIM
Again?
CRAIG
No,
not like that. I really mean goodbye. I got offered a job up north and
I decided to take it.
TIM
Oh.
For how long?
CRAIG
It's
for good, Tim. I don't think I'll be coming back.
TIM
For
good?
CRAIG
Yeah.
It's a great job. Good money and everything. I feel like I need to get
away. Give some time to myself. Get my head together without any distractions.
TIM
Thanks.
CRAIG
No.
You were never a distraction.
TIM
I
know.
CRAIG
Well,
I gotta go. I've still got a lot of packing....
TIM
Yeah,
sure.
CRAIG
Tim?
TIM
Yeah?
CRAIG
Can
I write to you?
TIM
I...of
course. Write to me when you get settled. Let me know how things are going
for you.
CRAIG
And
Tim?
TIM
Yeah?
CRAIG
I...love...I'm
gonna miss you. Bye.
TIM
Bye.
LIGHTS FADE ON CRAIG
Why
did he do that? Why didn't he just slip away? That would've been so much
easier. I felt like running to his apartment. I thought if I could let
him see me just one more time I could convince him to stay. Why, I don't
know. Instead I ended up on the beach. It was close to midnight. I was
walking along the sand thinking about everything we ever did together.
All the good things. Fishing, reading the papers in bed, making love. They're
memories I can't seem to get rid of. I hardly thought of the bad things.
They don't seem as clear now. And I stood there looking out to sea, feeling
slightly Barbara Stanwyck.
LIGHTS COME UP ON A BENCH. HE SITS DOWN.
It was a warm night. There was a half moon and the smallest breeze. I wanted to feel happy for him. That's all I ever wanted, I guess. But for myself....it's like that leg that's been cut off. That part of you that's missing. It always leaves a ghost leg you want to scratch and a melancholy feeling that never goes away.
ED ENTERS.
ED
What
the hell are you doing here?
TIM
I...uh...oh,
nothing. I was just out...you know...for a walk.
ED
Oh,
really?
TIM
Yeah.
How come you’re here?
ED
You
see that apartment building over there? That’s where I live, remember?
You’re an idiot.
TIM
Tell
me something I don’t know.
ED
Okay,
you’re a big idiot.
TIM
Thanks.
ED
Where’s...
TIM
He’s
gone.
ED
I
see. For good?
TIM
Pretty
much.
ED
Oh,
well.
TIM
I’m
sorry I’ve been a bit of a shit lately.
ED
As
opposed to what?
TIM
As
opposed to a bit of a shit lately.
ED
It’s
okay.
ED SITS ON THE BENCH NEXT TO HIM AND HUGS HIM.
ED
You
know I was saving this as a big surprise but since you’re down I figure
why wait.
TIM
Please,
Ed. I’m not up to this at the mom...
ED
I’m
not well. There. I said it. It didn’t come out too strongly did it? I mean
you’re
not exactly given courses in this sort of thing so it’s kinda hard to know
how to drop that into conversation anyway. Not that there’s exactly the
right time to do it but still you know it’s not like “Hi, how are you?
You look fabulous. You look like you’ve been away, great tan and oh, by
the way I’m HIV pos.” It sort of kills the moment, don’t you think?
HE LOOKS AT TIM WHO BURSTS INTO TEARS.
ED
Oh,
Jesus. Look forget I said anything. You didn’t hear it from me. Just pretend
I didn’t open my stupid mouth, okay? I must say I wasn’t expecting this
sort of reaction. Maybe I should have waited till you were really happy
beating up your next boyfriend before dropping a bombshell like this but
I’ve had this for the past couple of months to deal with so you’ll just
have to bear with me.
TIM
Oh,
shit. Why didn’t you tell me?
ED
I’ve
been wanting to tell you for weeks. You have been slightly pre-occupied,
to say the least.
TIM
For
weeks?
ED
Uh-huh.
TIM
Oh,
shit. You’ve had to deal with this by yourself. I’m so sorry.
ED
It’s
okay.
TIM
Yeah,
but...I’m so stupid.
ED
I
think your needle’s stuck.
TIM
Is
there anything I can do?
ED
Back
off, bitch! I’m not on the slab yet. I don’t want you to do anything. Just
be your normal boring self, okay?
TIM
I
won’t desert you, you know that. I’ll move in and take care of you.
ED
Not
on your fucking life! For one thing, I ain’t dead yet but if there’s one
thing that’s guaranteed to put me over the edge it’s the thought of your
silly little carcass slumped over my lounge, eating bon-bons and commandeering
the video remote. No, you go have your pathetic little life and leave us
working girls in peace. I’ll be alright on my own, thank you very much.
TIM
Jesus.
This is all I need.
ED
All
you need? I’m sorry. Are we back to talking about you again?
TIM
Sorry.
ED
And
don’t keep saying sorry for everything either. You never did it before.
Well, not to me anyway so don’t start now.
TIM
And
I thought I had problems.
ED
Believe
me, you do. But hey, I didn’t say it was a problem. Merely a re-adjustment.
I just wanted you to know that when you look at your problems and you put
them up against everything else that goes on it doesn’t seem like such
a big deal getting dumped by a boyfriend, does it? You’re gonna be alright.
TIM
What
about you?
ED
I’m
gonna be okay too. I’ll just re-adjust my glorious five year plan. If I
can get through the next twelve months then everything is gonna be okay.
TIM
And
after that?
ED
Fuck
knows. Talk to me in a year.
HE LOOKS UP
ED
Look
at that.
TIM
What?
ED
All
those stars. I’ve been coming out here for years and do you think I ever
noticed them before? I guess God must’ve been having a wonderful making
all of them.
TIM
Oh,
shit. Don’t tell me you’re getting religion on top of everything else.
ED
Night
quite, grasshopper. But, well, I was thinking whoever it was that slapped
it all together, well they probably put all those stars up there to remind
us that we ain’t alone. There’s plenty of others out there going through
the same or a lot worse. We can’t complain too much, can we?
TIM
I
guess not.
THEY LOOK AT EACH OTHER. TIM LEANS OVER AND KISSES ED ON THE CHEEK.
TIM
Poor
sweet ba-boo.
ED
Ain’t
it the truth. This is so deep. I get the feeling we should sing now.
THEY START TO SING ‘BEFORE THE PARADE PASSES BY’ FROM HELLO DOLLY. THE SONG FADES IN.
FADE
TO BLACK
the
end